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ELGER ESSER ‚MORGENLAND’

Galerie Kewenig | Brüderstr. 10 | 10178 Berlin; Highres Images can be requested under: artpress@uteweingarten.de; November 25 – January 27, 2018

1.
Elger Esser
El Kab II
2011 Ägypten
C-Print, DiaSec Face
184 × 239,5 × 5 cm

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2.
Elger Esser
Esna I
2011 Ägypten
C-Print, DiaSec Face
138 × 184 × 5 cm
Ed. 7/7

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3.
Elger Esser
Fata Morgana
2011 Ägypten
C-Print, Diasec Face
184 × 240 × 5 cm
Ed. 2/7 + 1 AP

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4.
Elger Esser
Akko II
2015 Israel
C-Print, DiaSec Face
154,5 × 184 × 5 cm
Ed. 2/7

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5.
Elger Esser
Akko III
2015 Israel
C-Print, DiaSec Face
154,5 × 184 × 5 cm
Ed. 2/7

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6.
Elger Esser
Jisr az-Zarqa I
Israel 2015
C-Print, Diasec Face
146 × 183,5 × 5 cm
Ed. 2/7 + 1 AP

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Press release

KEWENIG is pleased to present the work group «Morgenland» by the German artist Elger Esser, who studied in the 1990s under Bernd and Hilla Becher. It marks the third solo exhibition of the artist with the gallery.

¡BRIGHT!

Centre for International Light Art Unna | Lindenplatz 1 | 59423 Unna; November 25, 2017 – April 8, 2018

Björn Dahlem
Der Mond
Installation Shot
2017
Photo: Frank Vinken

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Björn Dahlem
Milky Way
Installation Shot
2017
Photo: Frank Vinken

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Björn Dahlem
Milky Way
Installation Shot
2017
Photo: Frank Vinken

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Molitor&Kuzmin
Extension
Installation Shot
2017
Photo: Frank Vinken

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Volkhard Kempter
True Lite
2017
Photo: Frank Vinken

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Björn Dahlem
Milky Way
Installation Shot
2017
Photo: Frank Vinken

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Press release

The new exhibition ¡BRIGHT! is a next step in a sequence, and a follow up on ¡DARK! (2015). Whereas ¡DARK! focused on the surrounding obscurity, this exhibition shows light art installations at a radiant brightness. All works make use of pure white light, no matter if they are constructed with neon lights or fluorescent lamps, and in that sense simultaneously pay tribute to slowly disappearing light sources.

DUESSELDORF PHOTO

Düsseldorf; 16.02. - 25.02.2018

Akram Zaatari
A Photographer’s Imagination
2017

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Akram Zaatari
On Photography
Dispossession and Times of Struggle
2017

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Barbara Karsten
Composition 7D, 7E, 7T
2017

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Hermann Laupsien
1910 – 2007
Bernard Langerock, Licht-Collage/Fotografie
2017

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Corina Gertz
Deutsche Tracht 04
2010

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Luise Dahl Wolfe
Yves Montand in his studio
1946

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Luise Dahl Wolfe
Suzy Parker by the Seine
1953

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Louise Dahl Wolfe
A Style of her own
Museum of Modern Art, Looking at Matisse
ca. 1940

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Uffe Isolotto & Sixten Starck
Pixxa Splice
2013

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Simon M. Benedikt
Andy Warhol eating a hamburger, Macaulay Culkin eating a pizza, and Simon M. Benedict eating chips
Video (Screenshot)

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Jennifer Chan
Big Sausage Pizza II
Photo Print on Fleece
2013

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Paul Barsch
Pizza Voyeur vegetarian pizza screenholder 1
2014

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Press release

DUESSELDORF PHOTO will kick off in February 2018—a new photo-festival in Germany and the largest one in NRW.
Around 30 museums, cultural institutions, universities, galleries, and project spaces will present the works of more than 100 photographers.

N A U T I L U S Snails, Mussels, and Other Mollusks in Photography

ALFRED EHRHARDT FOUNDATION | Auguststr. 75 | 10117 Berlin; January 13 to April 15, 2018

Herbert Bayer
Kurz vor der Dämmerung
1936, späterer Abzug
Silbergelatine, 28 × 35,4 cm
© VG Bild-Kunst, Bonn 2017. Courtesy
Galerie Kicken Berlin
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Fritz Block
Riesenstachelschnecke/Murex inflatus
(Röntgenaufnahme)
1931
Silbergelatine, 15 × 11,6 cm
© Fritz Block Estate Archive,
Stockholm/Hamburg

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Imogen Cunningham
Five Shells
um 1930, späterer Abzug
Silbergelatine, 35,6 × 45,7 cm
© 1930-2017 Imogen Cunningham
Trust

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Alfred Ehrhardt
Nautilus pompilius L., Philippinen,
1940/41, Abzug 1968
Silbergelatine, 30 × 24,2 cm
© bpk / Alfred Ehrhardt Stiftung

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Bernard F. Eilers
Glasnegativ 1922, Abzug 2017
64 × 61 cm
aus der Serie Schelpen, Wendingen
1923, No. 8/9
© Bernard F. Eilers, Nederlands
Fotomuseum, Rotterdam

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Fred Koch
Nautilus pompilius
undatiert
Silbergelatine, 23 × 16,5 cm
Courtesy Sammlung Dr. Hans Schön

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Herbert List
Fortsetzung im Irrealen, Ostsee Strand,
Deutschland
1934
Silbergelatine, 12,4 × 14,3 cm
© Herbert List Nachlass, Hamburg

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Man Ray
L’Oeuf et Coquillage
1931, Abzug 1991 für Griffelkunst
Silbergelatine, 30 × 24 cm
© Man Ray Trust, Paris/VG Bild-Kunst,
Bonn 2017
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Aenne Mosbacher
Elsterschnecke
1930
Silbergelatine, 29,6 × 22,6 cm
ullstein bild collection
Kosten für die Nutzung müssen direkt
mit ullstein bild ausgehandelt werden
unter kontakt@ullsteinbild.de // The
fee for any other use of the image
must be negotiated directly with
ullstein bild, kontakt@ullsteinbild.de

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Walter Peterhans
Ohne Titel [Stillleben mit Stoff und
Muschel]
um 1929, späterer Abzug
Bromsilbergelatine, 29,2 × 39,3 cm
© Nachlass Walter Peterhans, Museum
Folkwang, Essen

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José Maria Sert
Etude de coquillage pour „Les aventures
de Simbad le marin“, Residenz von
Joshua S. Cosden, Palm Beach, Florida,
USA
1923
Silbergelatine, 24 × 30 cm
© JOSE MARIA SERT. Courtesy galerie
michèle chomette, Paris

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Otto Steinert
Stillleben mit Pfeife
1958
Silbergelatine, 65 × 55 cm
© Nachlass Otto Steinert, Museum
Folkwang, Essen. Courtesy Sammlung
Ann und Jürgen Wilde, Zülpich

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Josef Sudek
Stillleben Caravaggio Nacht I
1956
Silbergelatine, 24 × 30 cm
© I&G Fárová Heirs. Courtesy Galerie
Johannes Faber

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Edward Weston
Shell
1927, Abzug 1970er-Jahre
35 × 40 cm
© VG Bild-Kunst, Bonn 2017
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Wols
Ohne Titel [Stillleben – Muschel]
1938–1939, Abzug 1970er Jahre
Silbergelatine, 23,9 × 17,8 cm
© VG Bild-Kunst, Bonn 2017. Courtesy
Kupferstich-Kabinett, Staatliche
Kunstsammlungen Dresden, Foto:
Herbert Boswank
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Press release

In addition to plants and crystals, snails, shells, and other mollusks (conchs) are among the “structural forms in nature” that particularly fascinated the photographers of the modern era. The Alfred Ehrhardt Foundation is presenting the first exhibition dedicated to this matter.

ACTS OF LIGHT - MACK & GOETHE

A Special Exhibition at the Goethe-Museum | Jacobistraße 2 | 40211 Düsseldorf +49211 8996262; March 4 - May 27, 2018

Heinz Mack

Ohne Titel,
nach einer Vorlage von Goethe, 1991

Pastellkreide und Sprühfarbe auf Bütten,
76,5 × 111 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

For an oriental mirror, 2008

Acryl auf Leinwand, 60 × 72 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

Ohne Titel, 2016

Acryl auf Leinwand, 210 × 223 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

Ohne Titel, 2005

Sprühfarbe auf Karton, 76 × 111 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

Ohne Titel, 1971

Collage, 26,2 × 22,6 × 2,3 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Johann Wolfgang von Goethe

West-oestlicher Divan, 1819
Titelblatt, Erstausgabe, Geschenkexemplar

Copyright: Goethe-Museum Düsseldorf

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Johann Wolfgang von Goethe

Eigenhändige Niederschrift des Gedichtes Ginkgo biloba aus dem West-oestlichen Divan,
datiert auf den 15. September 1815

Copyright: Goethe-Museum Düsseldorf

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Johann Wolfgang von Goethe

Zur Farbenlehre, 1810

Kolorierter Kupferstich nach Goethes Entwurf

Copyright: Goethe-Museum Düsseldorf

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Goethe-Museum Düsseldorf, Schloss Jägerhof

Photo: Dr. Barbara Steingießer

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Mack & Goethe – Taten des Lichts

Photo von Heinz Mack mit Lichtstele: Thomas Höpker
Copyright: VG Bild-Kunst, Bonn 2017

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Press release

Significant events cast long shadows. From March to May 2018, the Goethe-Museum Düsseldorf is presenting a major special exhibition that explores the relationship between the work of Heinz Mack and the ideas and thinking of Johann Wolfgang von Goethe.

Emmanuel Tussore - Study for a soap

13.10.2017 - 23.11.2017; Benhadj&Djilali | Torstraße 170 | 10115 Berlin

Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Press release

For his first solo exhibition in Germany, Emmanuel Tussore will present Study for a Soap this October at Benhadj&Djilali in Berlin. The work is part of Tussore’s ongoing Aleppo Soap Project, which integrates Aleppo Soap, the oldest soap in the world, in a series of sculptures, installations, photographs and films.

BRUSSELS–BERLIN… A ROMANCE

Embassy of Belgium | Jägerstraße 52–53 | 10117 Berlin; 9.10. 2017 | 6 - 8 pm

Exhibition
Jonathan Muecke at Juliaan Lampens’ Van Wassenhove House
2016

Courtesy: MANIERA
Photo: Filip Dujardin

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Richard Venlet
Daybed Wolfers
2015

Courtesy: MANIERA
Photo: Adriaan Tas

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Studio Mumbai
Rush Chair
2016

Courtesy: MANIERA
Photo: Filip Dujardin

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Rug:
Christoph Hefti
Hands, Catching
2017

Table:
Christ & Gantenbein
Athens Series
2017

Courtesy: MANIERA
Photo: Christian Kahl

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Exhibition
Corners
OFFICE Kersten Geers, Trix + Robert Haussmann & Bas Princen
2017

Courtesy: MANIERA
Photo: Maxime Prananto

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Jonathan Muecke
LWC (Low Wooden Chair)
2016

Courtesy: MANIERA
Photo: Maxime Prananto

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NIYONA interior studio

Courtesy: NIYONA
Photo: Geert De Taeye

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Capes NIYONA
In collaboration with Maxime Leroy

Courtesy: NIYONA
Photo : Niyona

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Under base
For chief Jeremy Girvan de GJ Cook.

Courtesy: NIYONA
Photo : Niyona

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Het Beest
Niyona in collaboration with Von zadig

Courtesy: NIYONA
Photo : Niyona

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Blade Guards
For Florentine Kitchen Knives

Courtesy: NIYONA
Photo : Niyona

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12.

Petanque ball Jean & Fanny
In collaboration with Vervloet, Jean- François D’Or

Courtesy: NIYONA
Copyright: Vervloet

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Bénédicte Bantuelle

Courtesy: Studio La Bouche
Photo: Oskar

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Sweet Dreams
Set Design / Food stylism
2016

Courtesy: Studio La Bouche
Photo: Christian Jimenez

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Bread
Set Design
2015

Courtesy: Studio La Bouche
Photo: Frédérique Raevens

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Reflexions
Set Design
2015

Courtesy: Studio La Bouche
Photo: Oskar

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Ice cream
Set Design/Food stylism
2016

Courtesy: Studio La Bouche
Photo: Marc Paeps

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Le Festin Originel
Culinaria
2014

Courtesy: Studio La Bouche
Photo: Melopapille et Nicolas Buisson

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Alexandra Lambert
MAD

Photo: Fred Atax

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Dimitri Jeurissen
Base Design

Photo: Lydie Nesvadba

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Fabian Jean Villanueva
Base Design

Photo: Lydie Nesvadba

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Amaryllis Jacobs and Kwinten Lavigne
Maniera

Photo: Jef Jacobs

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Jonathan Wieme and Nina Bodenhorst
Niyona

Photo: Geert De Taeye

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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Press release

In conjunction with Brussels Days, MAD – Brussels Fashion and Design Platform is curating an evening of fashion and design. An open discussion about Brussels’ creative scene is followed by a unique food-design experience.

SERKAN OZKAYA We Will Wait

postmasters | 54 franklin street | nyc 10013; October 21 – November 25, 2017

Serkan Ozkaya
We Will Wait
2017
Photo illustration by Brett Beyer and Lal Bahcecioglu

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Press release

Postmasters is thrilled to present Ozkaya’s recreation, entitled We Will Wait. The room-sized installation will be shown in a never-before-seen or accessible space.

Joachim Richau ‒ FRAGMENT or in the Presence of Doubt

ALFRED EHRHARDT STIFTUNG | Auguststr. 75 | 10117 Berlin; 16.09.2017 - 23.12.2017

Joachim Richau
STEN RÖD II 2015
© Joachim Richau

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Joachim Richau
BLOCK I
2015
© Joachim Richau

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Joachim Richau
STEN BROTT I
2010
© Joachim Richau

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Joachim Richau
VÄGG IX
2015
© Joachim Richau

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Joachim Richau
SPEGEL I
2015
© Joachim Richau

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Joachim Richau
STEN VIT III
2016
© Joachim Richau

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Joachim Richau
SPÅR VITT II
2016
© Joachim Richau

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Press release

From the early 2000s onward, photographer Joachim Richau began to explore the Swedish landscape, where the photographs of the series FRAGMENT or the Presence of Doubt were taken.

ART ENCOUNTERS 2017 – LIFE A USER’S MANUAL

Timișoara & Arad; 30.09. - 05.11.2017

Art Encounters 2017, Life a User’s Manual
© Art Encounters Foundation and Synopsis Media

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Art Encounters 2017, Life a User’s Manual
© Art Encounters Foundation and Synopsis Media

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Anri Sala
1395 Days without Red, 2011
In collaboration with Liria Begeja. From a project by Šejla Kamerić and Anri Sala in collaboration with Ari Benjamin Meyers
HD video projection, colour, sound: discrete 5.1, on loop
Duration: 43 min 46 sec
Courtesy of the artist and Galerie Chantal Crousel, Marian Goodman and Hauser and Wirth.
Credits: Anri Sala / ADAGP, Paris 2017
© artist and photographer

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Anri Sala
Transfigured Moth, 2015
Altered snare drum, drumsticks, altered snare stand, loudspeaker
parts, and mono sound 7min
Edition of 1 + 1 AP
Courtesy of the artist and Galerie Chantal Crousel, Paris
Photo credits: Florian Kleinefenn
Credits: Anri Sala / ADAGP, Paris 2017
© artist and photographer

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Cornel Brudascu
Untitled, 2016
Oil on canvas
60 × 60 cm
Photo credits: YAP studio
© artist and photographer

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Ioana Bătrânu
Melancholic Interior, 2012
Oil on canvas
120 × 200 cm
Photo credits: Bogdan Bordeianu
© artist and photographer

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Julien Prévieux
D’octobre à février [From October to February], 2010
wool sweaters, hangers and hooks
dimensions variable
Courtesy Jousse entreprise gallery
Photo credits: Laurent Lecat – galerie Edouard Manet
© artist and photographer

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Julien Prévieux
Le lotissement [Housing Estate], 2008
MDF, acrylic paint
approximately 250 × 200 ×150 cm each
Courtesy Jousse entreprise gallery
Photo credits: Laurent Lecat – galerie Edouard Manet
© artist and photographer

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Michel Blazy
Fontaine de mousse (installation view), 2007
Palais de Tokyo, Paris
Rubbish bins, foam-bath, compressor unit, plastic tubes
Dimensions variable
Courtesy the artist and Art : Concept, Paris
Photo credits: Marc Domage
© artist and photographer

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Alin Bozbiciu
Ritual, 2017
Oil on canvas
250 × 196 cm
Photo credits: YAP studio
Credits: Alin Bozbiciu
© artist and photographer

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Mircea Suciu
The Confessional (1), 2017
Work in progress
Oil, acrylic, monoprint
252 × 180 cm
Courtesy the artist and Zeno X Gallery, Antwerp, Belgium
© artist and photographer

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Olivia Mihălțianu
Smoking Room – Venice Biennale, 2013
Gold wallpaper, furniture, Golden Matches, monitor
Variable dimensions
Reflection Center for Suspended Histories. An Attempt, New Gallery, Romanian Institute of Culture and Humanistic Research, 55 Venice
Biennale, Italy [group exhibition]
Photo credits: Stefan Jammer
© artist and photographer

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Pusha Petrov
Hand Marsupium (red), 2010
Digital color print
48 × 72 cm
Series of 21 photographs
Credits: Pusha Petrov
© artist and photographer

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Pavel Brăila
New Year’s Dissections, 2017
Installation view
Courtesy of EASTWARDS PROSPECTUS
Photo credits: Miluță Flueraș
© artist and photographer

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
From left to right: Julien Prévieux, Anthologie des regards, 2015 (wood, screens and silk screen coat emulsion dimensions variable); Zbigniew Libera, Lego. Concentration Camp, 1999 (inkjet print on paper)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara) From left to right: Crisitna David, The Real Reason of the Migration of People in Europe to West, 2006 (video, mini DV, 1 min. 58 sec.); Szilárd Miklós, Freelancers Space Station, 2017, objects (acetofan, adhesive, pigments), installation, paintings by Hans Mattis-Teutsch
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
Miklósi Dénes, Noi am văzut [We’ve seen], 2016 (inkjet double side print, 236 cm x 430 cm)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
From left to right: Zbigniew Libera, Lego. Concentration Camp, 1999
(inkjet print on paper); Lea Rasovszky, SOFT WAR (Bubble Gun of Sweet Surrender), object/installation, inflatable structure (600 × 350 × 250 cm)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
Foreground: Sándor Bartha, March for a New Identity, 2017 (installation, different objects); Julien Prévieux, Le lotissement, 2008, MDF, acrylic paint approximately 250 × 200 × 150 cm each
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara). Foreground: Mircea Suciu, Color Palette (2), 2017 (oil, acrylic, monoprint); Ioana Bătrânu, Melancholic Interior, 2012 (acrylic on canvas). Background: Michel Blazy, Fontaine de mousse, 2007-2017. Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Smaranda Ursuleanu, Vulvatic Wallpaper, 2017 (body printing, acrylic on paper). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House)
From left to right: Pavel Brăila, Pickled Story, 2017, installation (shelf with homemade preserves, pickled vegetables, dimensions variable); Bartha Sándor, March for a New Identity, 2017 (installation); Olivia Mihălțianu, Trousse Beauté, 2009, light-boxes (cardboard, compact light tube, digital print); Mary Reid Kelley, Pasiphae’s Liquor Cabinet, 2014 (liquor and pill bottles, paint, sculpey compound, glass, wood. Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Olivia Mihălțianu, Trousse Beauté, 2009, light-boxes (cardboard, compact light tube, digital print). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Cătălina Nistor, Supervised rooms, 2017, wall drawing. Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). Pusha Petrov, Marsupium à main, 2010, series of photographs (digital print mounted on 3 mm aluminium dibond). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House). From left to right: Nona Inescu, A fuzzy feeling (room divider), 2016 (wooden frame, archival print on Hahnemuhle paper); Pusha Petrov, Marsupium à main, 2010, series of photographs (digital print mounted on 3 mm aluminium dibond). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Timco Hall). Lena Henke, First Ladies, (Michelle Obama, Patrizia D’Addario, Carla Bruni, Metriban Aliyeva, Miyuki Hatoyama, Anne Mette Rasmussen, Sizakele Khumalo, Nompumelelo Ntuli, Tobeka Madiba), 2009 (wood, tables, mixed media). Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Timco Hall). Flaka Haliti, Thendive, Grace, Rishika, Lefa, Kaden, Victoria, Nadia, Leo, Cyril, Mrs. Faye, Malrar, Josias, Ojas, Philip, Ernest, Ziyanda, Ledri, Amadou, Bayanda, Julien Sochima, Edgar, Daniel, Tshego, Nihal, Oyane, Ms. Dagrou, Anna, Abigail, Quentin, 2015-2016, installation (metal, sand, plastic, dimensions variable. Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Beyond the Concept Frontier
Artists: Horia Bernea, Roman Cotoșman, Ion Grigorescu, Pavel Ilie, Julian Mereuță, Paul Neagu, Eugenia Pop, Decebal Scriba
Curator: Magda Radu
Exhibition design: skaarchitects
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Beyond the Concept Frontier
Artists: Horia Bernea, Roman Cotoșman, Ion Grigorescu, Pavel Ilie, Julian Mereuță, Paul Neagu, Eugenia Pop, Decebal Scriba
Curator: Magda Radu
Exhibition design: skaarchitects
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Beyond the Concept Frontier
Artists: Horia Bernea, Roman Cotoșman, Ion Grigorescu, Pavel Ilie, Julian Mereuță, Paul Neagu, Eugenia Pop, Decebal Scriba
Curator: Magda Radu
Exhibition design: skaarchitects
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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I Work Therefore I’m Not
2012-ongoing
Anca Benera & Arnold Estefan
Mixed media installation (wall paint, drawing, A3 prints)
Dimensions variable
Photo credits: Ghislain Amar/White Project

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Exhibition view Life a User’s Manual detail (venue: Timco Hall)
Anca Benera & Arnold Estefan, I Work Therefore I’m Not, 2012-ongoing
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Timco Hall)
Anca Benera & Arnold Estefan, I Work Therefore I’m Not, 2012-ongoing
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
Lea Rasovszky, SOFT WAR (Bubble Gun of Sweet Surrender), inflatable object (600 × 350 × 250 cm)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Press release

Second edition of ART ENCOUNTERS to become a regular venue for Romanian art in the international curatorial dialogue.

Working on History. Contemporary Chinese Photography and the Cultural Revolution

Museum für Fotografie, Jebensstraße 2, 10623 Berlin; 18.08.2017 — 07.01.2018

Zhang Kechun, People Crossing the Yellow River with a Photo of Mao Zedong, Henan, 2012 Inkjet Print, 120 × 147 cm
© Zhang Kechun

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Mo Yi Red, 1985 C-Print (2017), 60 × 87 cm
© Mo Yi

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Cao Kai, Summer of 1969, 2001-2002 HD edition 2010, DVD (Videostill)
© Cao Kai

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Feng Mengbo, My Private Album, 1996, Interactive Installation (Screenshot) © Feng Mengbo

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Hai Bo, They No. 5, 2000 Digital C-Print, 50 × 130 cm
© Hai Bo

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He Chongyue, The End 01 – An Aging Population: The Family Planning Series, 2010, Inkjet Print, 90 × 225 cm
© He Chongyue

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Maleonn, White on White #2, 2010, C-Print, 60 × 90 cm
© Maleonn

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Cai Dongdong, Shooting Practice, 2016 Silver Gelatin Print, Mirror, 100 × 100 × 100 cm
© Cai Dongdong

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Qu Yan, Wuzhuang village Head Of ce, Tushan Town, Pizhou County, Jiangshu
Province, 2005 C-Print (2017), 120 × 160 cm
© Qu Yan

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Shao Yinong & Mu Chen, Assembly Hall series – Yangzheng, 2003 C-Print, 20 × 168 cm
© Shao Yinong & Mu Chen

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Song Yong Ping, New Life, 1999 Silver Gelatin Print, 86 × 46 cm
© Song Yong Ping

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Wang Ningde Some Days, No. 30, 2005 Silver Gelatin Print, 50 × 60 cm
© Wang Ningde

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Wang Qingsong Competition, 2004 C-Print (2017), 300 × 170 cm
© Wang Qingsong

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Wang Youshen Washing, 2017 News Photographs, Developing Trays, Water, Clips, Thread, Dimensions Variable
© Wang Youshen

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Zhang Dali, A Second History 9: 1952 The First Sport Meeting of the National Army, 2005 C-Print (2017), 112 × 60 cm
© Zhang Dali

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Weng Naiqiang, Chairman Mao on Tian An Men, 1966 C-Print (2017), 100 × 100 cm
© Weng Naiqiang

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Photographer unknown Beijing, Tien An Men, 1966 Silver Gelatin Print, 5,4 × 4,6 cm
© Archiv Günter Karl Bose

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Designer unknown, Mao Zedong after Crossing the Yangtze, 1966 Poster, 73,2 × 52,0 cm
© Private collection

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Press release

“Working on History. Contemporary Chinese Photography and the Cultural Revolution” discovers the impact of the Cultural Revolution on current art and photography in China.

Winsor & Newton - Residence scholarship at the Künstlerhaus Bethanien in Berlin

Künstlerhaus Bethanien I Kottbusser Straße 10 10999 Berlin; 15 May and 15 November 2017

Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
Bist du noch da, 2017, Öl und Acryl auf Leinwand, 68 × 45 cm
© Aneta Kajzer

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Aneta Kajzer
Cyborglady, 2017, Öl und Acryl auf Leinwand, 100 × 70 cm
© Aneta Kajzer

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Aneta Kajzer
Prima Ballerina, 2017, Öl und Acryl auf Leinwand, 300 × 200 cm
© Aneta Kajzer

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Aneta Kajzer
Babyface,
2017, Öl und Acryl auf Leinwand,
68 × 48 cm
© Aneta Kajzer

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Aneta Kajzer
„Gorilla“: I’ve got not brain baby,
2017, Öl und Acryl auf Leinwand,
160 × 145 cm
© Aneta Kajzer

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Aneta Kajzer
Trunkenbold, 2017, Öl und Acryl auf Leinwand,
60 × 45 cm
© Aneta Kajzer

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Aneta Kajzer
„Wurm“: Ohne Titel (Twist),
2017, Öl und Acryl auf Leinwand,
300 × 200 cm
© Aneta Kajzer

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Manuel Stehli
ohne Titel
2015, Öl auf Leinwand,
170×220cm
© Manuel Stehli

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Manuel Stehli
ohne Titel, (Tektonik)
2015, Öl auf Leinwand,
125×170cm
© Manuel Stehli

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Manuel Stehli
Mojave, Öl auf Leinwand
2016, Öl auf Leinwand
40×50cm
© Manuel Stehli

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Manuel Stehli
Wall
2016, Öl auf Leinwand
120×160cm
© Manuel Stehli

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Press release

Fine art materials brand Winsor & Newton announces for the first time a call for two artist-in-residence grants at Künstlerhaus Bethanien, Berlin. This year´s grantees are Aneta Kajzer and Manuel Stehli.

Perspektive 2018 – Fund for Contemporary Art and Architecture

Germany / France; 01.01. - 31.12.2017

Porcelain Filter
(Project Foreign Objects)

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Ingo Duennebier
(Project: Form Follows Aktion)

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La Galerie, Noisy-le-Sec, vue aérienne
(Project: La Presse)

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Niche: L’Espace Feminin, Dinner-Talks
(Project: Making Spaces)

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Moritz Simon Geist : Sonic Robots
(Project: Remembering the Future)

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Visual Perspektive French
Copyright: Perspektive, Bureau des arts plastiques

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Visual Perspektive German
Copyright: Perspektive, Bureau des arts plastiques

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Candice Lin, System for a Stain, 2016, mixed media. Commissioned by Gasworks. Courtesy of the artist

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Parasite space
Copyright: Brad Downey & Diego Sologur

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District Kunst und Kulturförderung
Copyright: District Kunst- und Kulturförderung GmbH

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Niche dîner discussio“ Copyright: Niche Berlin

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Bellastock
Copyright: Association Bellastock

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Press release

Perspektive – Fund for Contemporary Art and Architecture, initiated by the Bureau for Visual Arts, aims to support projects happening between France and Germany.

MOMENTUM 9: ALIENATION THE 9TH NORDIC BIENNIAL OF CONTEMPORARY ART

Gallery F 15 and MOMENTUM Kunsthall I Moss, Norway; 17.06.2017 - 11.10.2017

Abigail DeVille
Invisibility Blues

Installation, 2016

Photo by Ginevra Shay
Courtesy the artist

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Atelier Cyberspace
Untitled

Collage, 1968-1970

Courtesy Carsten Hoff

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Búi A ðalsteinsson
Fly Factory

Stainless-steel, fibre glass, electric light,
soil, plants, black soldier flies, larvae and
larvae paté, 170×150× 80cm, 2014

Courtesy the artist

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H.R. GIGER,
Harkonnen-Capo chair, 1983.
Courtesy H.R. Giger Estate.

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Jenna Sutela
Gut-Machine Poetry, 2017

Photo by Mikko Gaestel
Courtesy the artist

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Johannes Heldén
Encyclopedia

Writing, 2015-2016

Courtesy the artist

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John Duncan
Scare, 1976

Photograph

Courtesy the artist

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Jone Kvie
Untitled (Carrier), 2006

Car paint on bronze

Photo by Anders Sune Berg
Courtesy the artist

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Jussi Kivi
Moonwoods, 2017

Detail of an installation

Courtesy the artist

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KAPWANI KIWANGA,
AFROGALACTICA: A BRIEF HISTORY OF THE FUTURE.

Performance: live reading with
video projection, 2012 – ongoing.

Courtesy the artist and
Galerie Tanja Wagner, Berlin

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Kjersti Vetterstad
No Maps for These Territories, 2012

Video, 07”47min

Courtesy the artist

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Levi van Veluw
Workspace II, 2016

Walnut wood, black ink, coal,
103 ×140 ×65cm

Courtesy the artist

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Linda Persson
Opalstone, 2017

Still from a video

Courtesy the artist

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Mediated Matter
Synthetic Apiary

Honeybee hive installation in the Synthetic
Apiary environment, 2016

Photo by The Mediated Matter Group
Courtesy The Mediated Matter Group

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Museum of Nonhumanity

Installation view at Suvilahti, Helsinki,
2016

Photo by Terike Haapoja
Courtesy Museum of Nonhumanity

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Olga Bergmann and Anna Hallin
The Pink Era

Site-specific installation in the coastal town
of Gar ður, Iceland, concrete, wood, string,
dirt, 2012

Courtesy the artists

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Patricia Piccinini
Atlas

Silicone, fiberglass, human hair and car
paint, 84×54×50cm, 2012

Courtesy the artist

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Patrick Jackson
House of Double

Detail of site-specific installation, 2011

Courtesy the artist

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Pinar Yoldas
Ecosystem of Excess

Detail of an installation, 2014

Courtesy the artist

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Public Dreaming

Sleep Structure, 2016

Courtesy Public Dreaming

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Ragnar Þórisson
Untitled

Oil on canvas, 200×170cm, 2012

Courtesy the artist

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Rolf Nowotny
CONKCLOACA

Installation, 2016

Courtesy the artist

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Serina Erfjord
Among Stars

Installation, 2014

Courtesy the artist

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Sonja Bäumel
Fifty Percent Human

Detail of an installation, 2016

Courtesy the artist

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Stathis Tsemberlidis
Transmutations of Human Bodies

Drawing, 2015

Courtesy the artist

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Third Ear Podcast
Logo
Courtesy Third Ear

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Trollkrem

Performance documentation by
Istavan Virag, 2016

Courtesy Trollkrem

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Wael Shawky

Cabaret Crusades: The Path to Cairo

HD video, color, sound, 58min, 2012

Courtesy the artist and Sfeir-Semler
Gallery Berlin/Hamburg

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Ylva Westerlund

The new hird, 2017
Sulfate 3000, 2016
Courtesy the artist

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MOMENTUM 9: ALIENATION

Visual identity designed by
Tuomas Kortteinen and Heikki Lotvonen

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Press release

Since its inception in 1998, MOMENTUM has strived to present compelling works of art and outstanding artistic ventures in Norway and the Nordic context.

Luther and the Avantgarde

ADDITIONAL PRESS MATERIAL: http://gallery.artpress-uteweingarten.de/ || TRAILER: http://bit.ly/2rwhmcM || Altes Gefängnis, Berliner Straße, 06886 Lutherstadt Wittenberg | St. Matthäus-Kirche, Matthäikirchplatz, 10785 Berlin | Karlskirche, Karlsplatz, 34117 Kassel; 19.05.2017 - 01.11.2017

Key visual
Luther and the Avant-garde
Art-Design: by Mannstein , based on an intervention by Bazon Brock

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Exterior view
The Old Prison in Luther City Wittenberg
Work by Manuel Graf
2017
Photo Daniel Biskup

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Exterior view
The Old Prison in Luther City Wittenberg
Work by Achim Mohné
2017
Photo Daniel Biskup

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Cell
Historic prison (Altes Gefängnis)
Lutherstadt Wittenberg
Photo: Daniel Biskup

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St. Matthäus-Kirche
Photo: Jens Bösenberg
2015

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Karlskirche Kassel
Photo: medio.tv/Schauderna

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robotlab
bios [bible], 2007
Roboterinstallation | robot
installation,
6 × 3 × 1,5 m;
Courtesy of the artist
Photo Daniel Biskop

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Miao Xiaochun
Zero Degree Doubt
2013
Acrylic on canvas, 150 × 150 cm.
© Miao Xiaochun

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Assaf Gruber
Die Berufung (The Calling), 2016/17
Video / DCP, Farbe, 17 min | video /
DCP, colour, 17 min; 14:59 min.
Still image
Courtesy of the artist

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Jia
The Chinese Version, 2016
Klebefolie auf Wand, Maße
variabel | adhesive film on wall,
dimensions variable;
Courtesy of the artist
Photo Daniel Biskup

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Johanna Reich
Resistance (Clara mit Simone de
Beauvoir), 2016/17
10 Plakatmotive auf Litfaßsäule |
10 poster motifs on advertising
column
© VG Bild-Kunst, Bonn 2017

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Marzia Migliora
Schuld, 2017
Schließfächer, Messingleiter, Spiegel,
Barrisol | deposit boxes, brass ladder,
mirror, Barrisol, ortsspezifische
Installation | site-specific installation;
Courtesy of Lia Rumma Gallery Milan |
Naples
Photo Daniel Biskup

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Jonathan Meese
inmitten seiner Arbeit | midst his work
ERZTARZAN’S ZELLE, DIE 95
KUNSTTHESEN DESTEUFELS ALASKA KIDADDY MACHT DAS RENNEN „K.U.N.S.T.“ (M.E.E.S.E. IST JOHNNY SINCLAIR), 2017
Mischtechnik, Maße variabel | mixed media, dimensions variable
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Julian Rosefeldt
Asylum, 2001/02
Video, Kurzfilm-Version von 9-Kanal-
Film | video, short film version of a 9-
channel film, 14:15 min;
Courtesy of the artist and VG Bild-
Kunst, Bonn

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Luise Schröder,
Gedenktafel „Im Gedenken an den Generalstreik der Frauen Wittenbergs am 4. Mai 1987”
2017
Photo Daniel Biskup

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Markus Lüpertz
Eiferer, 2017
Bemalter Gips | plaster, painted,
170 × 60 × 66 cm;
Courtesy of the artist
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Olya Kroytor
Performance auf Holzstamm | performance on wooden trunk;
Courtesy of the artist
Photo Daniel Biskup

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Stephan Balkenhol
Nackter Mann, 2017
Zedernholz, farbig gefasst | cedar
wood, painted, 179 × 87 × 45 cm
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Sebastian Riemer
DSSQ, 2011
C-Print_Ed5 2AP
84×84cm
© Sebastian Riemer

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Shilpa Gupta
I keep falling at you, 2010/2017
Klangskulptur, Mikrofone, Lautsprecher, Mehrkanalton
Installation
ca. 380×130×200 cm
© Shilpa Gupta

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Sun Xun
Bei der Arbeit an | working on
Protestant, 2017
Wandmalerei, Objekte | wall
painting, objects, ortsspezifische
Installation | site-specific
installation;
© artist / courtesy of ShanghArt Gallery
Photo Daniel Biskup

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Adrian Ghenie
o.T., Detail, 2017
Collage auf Papier | collage on paper,
33,5 × 29,2 cm;
Courtesy of the artist and Galerie
Thaddaeus Ropac,
Salzburg – Paris
Photo Daniel Biskup

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Yury Kharchenko
Haus 1, 2016
Öl auf Leinwand | oil on canvas,
100 × 80 cm;
Courtesy of the artist
Photo Daniel Biskup

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Monica Bonvicini
Bent in Shape (Detail), 2017
Teil der Gesamtinstallation | part
of the larger installation Erhellung,
2017 Neonröhren, Seil, Kabel, Stahlgestell | fluorescent tubes, rope, cable,
steel frame, ca. 100 × 180 × 40 cm;
Courtesy of the artist and König
Galerie, Berlin and Galerie Peter
Kilchmann, Zurich
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Thomas Huber
o.T., 2017
Öl auf Leinwand | oil on canvas,
80 × 60 cm;
Besitz des Künstlers | Property of the
artist
Photo Daniel Biskup

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Gilbert & George in front of the St. Matthew Church Berlin. Photo: Daniel Biskup.

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Gilbert & George: ASTRO STAR 2013, Series „SCAPEGOATING PICTURES“ © Gilbert & George

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Erwin Wurm
Boxhandschuh, 2016
Bronzeguss, patiniert | bronze
cast, patinized, 146 × 130 × 125 cm
© VG Bild-Kunst, Bonn 2017 / courtesy of Studio Erwin Wurm
Photo Daniel Biskup

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Christian Jankowski
Casting Jesus, 2011
Two-channel video
Courtesy the artist and Lisson Galle
ry, London

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Logo
Luther und die Avantgarde
Art-Design: von Mannstein

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Olaf Metzel
Luther rauf und runter, 2017
Aluminium, Edelstahl, Digitaldruck |
aluminium,
stainless steel, digital print, 670 × 130 x
140 cm;
Courtesy of the artist
Photo Daniel Biskup

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Christian Boltanski
Coeur, 2005
Schwarz bemaltes Glas, schwarzer
Karton, schwarzes Klebeband,
Glühbirne und Elektrokabel;
technische Anlage mit Herzklopfgeräuschen;
60 Spiegel unterschiedlicher
Größe, Installation, Maße
variabel | black-painted glass, black
paperboard, black tape, lamp,
electrical cable; technical equipment
with the sound of heartbeats; 60
mirrors of various sizes; installation,
dimensions variable;
Courtesy Christian Boltanski and
Kewenig Berlin | Palma
Photo Daniel Biskup

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Michael Sailstorfer
Mückenhaus, 2012
Straßenlampe, Aluminium, Moskitonetz, Farbe, Elektrizität | street lamp, aluminium, mosquito net, paint, electricity, 200 × 120 × 145 cm (Haus | house);
Courtesy: Michael Sailstorfer + König Galerie
Photo Daniel Biskup

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Maurizio Cattelan
Luther & The Avant Garde, 2017
Poster, Maße variabel |
dimensions variable;
© artist

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Xu Bing
Book from the Ground, seit | since
2003
(fortlaufend | ongoing) Mischtechnik |
mixed media, 142,2 × 119,4 × 104,1 cm;
Courtesy of the artist
Photo Daniel Faró

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Achim Mohné
0,000672 Megapixel – Citizen To be SeenFrom Mars, 2017
Bodenarbeit, 12 × 14 m, 672 Betonplatten, 11 Grautöne | floor piece, 12 × 14 m, 672 concrete slabs, 11 tones of grey;
Courtesy of the artist and VG Bildkunst, Bonn
Photo DroneBrothers, Berlin

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Juergen Staack
Script, 2013/2017
Installation, Performance, Script-
Leinwände in verschiedenen
Sprachen, Monitore | installation,
performance, script-canvases in
various languages, monitors,
ortsspezifische Installation | sitespecific
installation;
Courtesy of the artist and Konrad
Fischer Gallery
Photo Juergen Staack

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Elger Esser
Combray (Ambierle), 2012
Heliogravur auf Büttenpapier |
photogravure on
handmade paper, je | each 117 × 133 × 6
cm (gerahmt | framed);
© Elger Esser / VG Bild-Kunst, Bonn
2017
Courtesy Galerie Kewenig, Galerie
Thaddaeus Ropac

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Ai Weiwei
man in a cube, 2017
Beton, 2-teilig | concrete block in
two parts, je | each
150 × 105 × 52,1 cm;
© artist
Photo Daniel Biskup

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Song Dong
Prison in Prison, 2017
Acrylglas | acrylic glass, 320 × 220 x
220 cm;
Courtesy of Pace Gallery
Photo Daniel Faró

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Press release

The exhibition is an encounter between the figure of the reformer, a visionary and avant-gardist of his era, and contemporary art that engages with the questions facing society today.

Mike Bourscheid – Thank you so much for the flowers

La Biennale di Venezia I Luxembourg Pavilion at the 57th International Art Exhibition; 13.05 - 26.11. 2017

Mike Bourscheid, Thank you so much for the flowers, 2017.
Copyright Mike Bourscheid.
Production photo 2017

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Mike Bourscheid, The Goldbird Variations, Sculpture, performance, audio, 2016. Realised with the support of L’Œil de Poisson, Québec.
Courtesy the artist

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Mike Bourscheid, The Goldbird Variations, Sculpture, performance, audio, 2016. Realized with the support of L’Œil de Poisson, Québec.
Courtesy the artist

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Mike Bourscheid, This is how I imagine love, Sculpture, performance, vinyl album, 2015. Courtesy the artist.

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Mike Bourscheid, The wellbeing of things: a 5 km race, video still, 2017. Courtesy the artist.

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Mike Bourscheid, The Oracle (working title), 2017.
Copyright Mike Bourscheid.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view Mike Bourscheid – Thank You so much for the flowers 2017. 57th International Art Exhibition – La Biennale
Di Venezia.
Copyright
Mike Bourscheid.
Photo: Mike Bourscheid.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia. Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so Much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Casino Luxembourg.

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Mike Bourscheid – Thank you so Much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Casino Luxembourg.

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Press release

Mike Bourscheid has been selected to represent Luxembourg at the 57th International Art Exhibition – la Biennale di Venezia with the exhibition Thank you so much for the flowers.

MIKA TAANILA: group exhibition ‘Mirrored’ – 57. Biennale di Venezia and ‘The Earth Who Fell To Men’ – Salon Dahlmann

La Biennale di Venezia | Nordic Pavillon + Salon Dahlmann | Concierge Room | Marburger Straße 3 | 10789 Berlin + Balzer Projects | Wallstraße 10 | 4051 Basel; 13 May - 26 Nov + 09 June – 26 August

Mika Taanila
The Man Who Fell to Earth (profile), 2017
prepared cinema book photo by Nici Jost

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Mika Taanila
The Man Who Fell to Earth (profile), 2017 prepared cinema book
photo courtesy balzer
projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

DOWNLOAD

Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzerprojects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila
Brushes, 2017
prepared cinema book
photo by Johnny Korkman

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Mika Taanila
Curtains, 2017
prepared cinema book
photo by Johnny Korkman

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Mika Taanila
The Beast, 2017
prepared cinema book
photo by Johnny Korkman

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Press release

Helsinki-based Mika Taanila is one of six artists represented in the Nordic Pavilion at the 57th Biennale di Venezia.

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