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XXIII. ROHKUNSTBAU The Beauty of Difference

Castle Lieberose | Brandenburg; 02.07.2017 - 10.09.2017

Amélie Grözinger
Concordant Array
2017
(Rauminstallation/ Installation)
Courtesy: Amélie Grözinger / DIEHL, Berlin
Photo: Jan Brockhaus
© artist and photographer

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Links: Simon English
Gratitude (Vinnie Jones), 2015
(Tusche, Gouache, Akryl und Ölfarbe auf Papier / ink, gouache, acrylic and oil on paper)
(56 × 38 cm)
Rechts: Simon English
I will be Open for you, 2015
(Tusche, Gouache, Akryl und Ölfarbe auf Papier / ink, gouache, acrylic and oil on paper)
(56 × 38 cm)
Courtesy: Simon English/ DIEHL, Berlin
Foto: Jan Brockhaus
© artist and photographer

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Simon English
Setup at Rohkunstbau
2017 (Tusche, Gouache, Akryl auf Paper / ink, gouache and acrylic on paper)
(56×38 cm) Courtesy: Simon English/ DIEHL, Berlin
Foto: Jan Brockhaus © artist and photographer

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Jeanno Gaussi
Aus/ from: Imaginary friends
Setup at Schloss Lieberose 2017 (Holz, Baumwolle, Synthetik, Farbe/ Wood, cotton, synthetic, paint) Courtesy of Jeanno Gaussi/ Galerie koal Foto: Jan Brockhaus
© artist and photographer

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Jeanno Gaussi
Aus/ from: Imaginary friends
Set up at Schloss Lieberose 2017 (Holz, Baumwolle, Synthetik, Farbe/ Wood, cotton, synthetic, paint) Courtesy of Jeanno Gaussi/ Galerie koal Foto: Jan Brockhaus
© artist and photographer

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Jeanno Gaussi
Aus/ from: War Rug Projects
Set up at Schloss Lieberose 2012
(Stoff/ Fabric) Courtesy of Jeanno Gaussi/ Galerie koal Foto: Jan Brockhaus
© artist and photographer

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Pélagie Gbaguidi
Naked writing
Aus 73 Werken/ From 73 works 2016 (Farbkohle und Buntstifte auf Papier / color charcoal and color pencil on paper) (29×21 cm) Courtesy: Pélagie Gbaguidi
Foto: Jan Brockhaus
© artist and photographer

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Pélagie Gbaguidi
Naked writing
Aus 73 Werken/ From 73 works 2016 (Farbkohle und Buntstifte auf Papier / color charcoal and color pencil on paper) (29×21 cm) Courtesy: Pélagie Gbaguidi
Foto: Jan Brockhaus
© artist and photographer

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Pélagie Gbaguidi
Naked writing
Aus 73 Werken/ From 73 works 2016 (Farbkohle und Buntstifte auf Papier / color charcoal and color pencil on paper) (29×21 cm) Courtesy: Pélagie Gbaguidi
Foto: Jan Brockhaus
© artist and photographer

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Pélagie Gbaguidi
Front: Naked writing
Aus 73 Werken/ From 73 works 2016 (Farbkohle und Buntstifte auf Papier / color charcoal and color pencil on paper) (29×21 cm)
Back: 1-54 London
2016
von / from Leslie Emanuel Video, 7,27 Min.
Courtesy: Pélagie Gbaguidi | Sulger Buel Lovell Gallery Foto: Jan Brockhaus © artist and photographer

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Ivan Gorshkov
Dream Team
2017
(Total-Installation: 3 Skulpturen, gefundene Objekte, Mixed Media; Skulpturen: geschweißtes Eisen, Enamel, Aerosol, Marker / Total installation: sculptures, found objects, mixed media; 3 sculptures: iron, welding, enamel, aerosol, markers)
170 × 100 × 70 cm, 280 × 170 × 100 cm, 80 × 70 × 30 cm Courtesy: Ivan Gorshkov
Foto: Jan Brockhaus © artist and photographer

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Ivan Gorshkov
Dream Team
2017
(Total-Installation: 3 Skulpturen, gefundene Objekte, Mixed Media; Skulpturen: geschweißtes Eisen, Enamel, Aerosol, Marker / Total installation: sculptures, found objects, mixed media; 3 sculptures: iron, welding, enamel, aerosol, markers)
170 × 100 × 70 cm, 280 × 170 × 100 cm, 80 × 70 × 30 cm Courtesy: Ivan Gorshkov
Foto: Jan Brockhaus © artist and photographer

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Shahram Entekhabi
Globe
2013
(sequence 1:10 min, HD video, mixed media, installation, 335 min)
Courtesy: Shahram Entekhabi
Foto: Jan Brockhaus © artist and photographer

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Shahram Entekhabi
My Mother – The History of Iran
2015
(full HD video,
Language: English,
Audio: Dolby Digital,
Runtime: 78:30 min)
Courtesy: Shahram Entekhabi / n.b.k.
Foto: Jan Brockhaus © artist and photographer

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Shahram Entekhabi
My Mother – The History of Iran
2015
(full HD video,
Language: English,
Audio: Dolby Digital,
Runtime: 78:30 min)
Courtesy: Shahram Entekhabi / n.b.k.
Foto: Jan Brockhaus © artist and photographer

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Emo de Medeiros
Links:
Surtenture #24 ( ‘ …For the Black Phoenix Shall Rise’) 2017 (Textilarbeit / textile piece) (200×200 cm)
Right:
Surtenture #25 ( ‘ …Not Withstanding The Forces At Hand)
2017 (Textilarbeit / textile piece) (200×200 cm) Courtesy: Emo de Medeiros and 50 Golborne © the artist

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Emo de Medeiros
Links:
Surtenture #24 ( ‘ …For the Black Phoenix Shall Rise’) 2017 (Textilarbeit / textile piece) (200×200 cm)
Right:
Surtenture #25 ( ‘ …Not Withstanding The Forces At Hand)
2017 (Textilarbeit / textile piece) (200×200 cm) Courtesy: Emo de Medeiros and 50 Golborne © the artist

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Emo de Medeiros
Vodunaut #3
(Hypercharger)
2015
(Motorradhelm, Smartphone, HD-Video / Motorcycle helmet, smartphone, HD video)
(50×40×30 cm)
Courtesy: Emo de Medeiros and 50 Golborne
© the artist

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Tatiana Macedo
I have never seen a refugee camp
2017
(Roter Neon-Text auf Aluminium-Rahmen / Red Neon Text mounted on aluminium frame)
Courtesy: Tatiana Macedo
Foto: Jan Brockhaus
© artist and photographer

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Elmgreen & Dragset
Too Heavy, 2017
(Aluminium, Stoff, Lack / aluminium, fabric, lacquer)
Courtesy: Elmgreen & Dragset/KÖNIG GALERIE
Foto: Jan Brockhaus
© artist and photographer

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Elmgreen & Dragset
Couple, Fig. 14
2016
2 Teile / 2 parts
(MDF, PVC, Aluminium, Edelstahl / MDF PVC, aluminium, stainless steel)
(jedes Board/ each board 220,3 × 48 × 32 cm)
Courtesy: Private Sammlung/ Private Collection / KÖNIG GALERIE
Photo: Jan Brockhaus
© artist and photographer

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Andrew Gilbert
The Royal Palace of Emperor Andrew and his Glorious Cabinet Collection of Exotic Trophies
2017
Installation, Mix Media
Courtesy: Andrew Gilbert/ SPERLING
Photo: Jan Brockhaus
© artist and photographer

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Andrew Gilbert
The Royal Palace of Emperor Andrew and his Glorious Cabinet Collection of Exotic Trophies
2017
Installation, Mix Media
Courtesy: Andrew Gilbert/ SPERLING
Photo: Jan Brockhaus
© artist and photographer

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Andrew Gilbert
The Royal Palace of Emperor Andrew and his Glorious Cabinet Collection of Exotic Trophies
2017
Installation, Mix Media
Courtesy: Andrew Gilbert/ SPERLING
Photo: Jan Brockhaus
© artist and photographer

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Toshihiko Mitsuya
Anonymous Relatives – watcher
2017
(aluminium foil)
(260 × 370 × 135 cm) Courtesy of Toshihiko Mitsuya
Foto: Jan Brockhaus
© artist and photographer

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Toshihiko Mitsuya
Anonymous Relatives – watcher
2017
(aluminium foil)
(260 × 370 × 135 cm) Courtesy of Toshihiko Mitsuya
Foto: Jan Brockhaus
© artist and photographer

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Toshihiko Mitsuya
Anonymous Relatives – watcher
2017
(aluminium foil)
(260 × 370 × 135 cm) Courtesy of Toshihiko Mitsuya
Foto: Jan Brockhaus
© artist and photographer

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Mark Gisbourne
Curator
© Thomas Florschuetz

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Jan Brockhaus
Sicht: Schloss Lieberose
2017
© photographer

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Jan Brockhaus
Sicht: Schloss Lieberose
2017
© photographer

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Pressrelease

In this year´s ROHKUNSTBAU, curator Mark Gisbourne sheds light on the beauty of difference.
In the castle Lieberose, the exhibition will show art works dedicated to the topic of alterity

PHOTO-EYE FRITZ BLOCK. New Photography – Modern Color Slides

Alfred Ehrhardt Stiftung | Auguststr. 75 | 10117 Berlin; 24.06.17 - 10.09.17

Portrait of Fritz Block, Hamburg, 1932
Silbergelatine, 11,7 × 9,7 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Steamship Smokestack, Hamburg, 1929
Silbergelatine, 17,6 × 12,5
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
New Elbe Bridge, Hamburg, 1929
Silbergelatine, 23,0 × 17,2 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
View from Galeries Lafayette Department Store onto Boulevard Haussmann, Paris, 1930
Silbergelatine, 23,4 × 16,6 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Pont Transbordeur (Transporter Bridge), Marseille, 1931
Silbergelatine, 23,4 × 17,5 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Ball Game at Juan-les-Pins Beach, Côte d’Azur, 1931
Silbergelatine, 22,6 × 16,4 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
View from the Empire State Building Looking onto the Chrysler Building, New York City, 1931
Silbergelatine, 23,4 × 17,5 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Barker at Coney Island, New York City, 1931
Silbergelatine, 24,0 × 17,6 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Power Station of the Ford Plant in Dearborn, Detroit, 1931
Silbergelatine, 23,7 × 17,7 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Pressrelease

The exhibition “PHOTO-EYE FRITZ BLOCK. New Photography – Modern Color Slides” at the Alfred Ehrhardt Stiftung presents the first exhaustive retrospective of the German-Jewish phtographer.

Working on History. Contemporary Chinese Photography and the Cultural Revolution

Museum für Fotografie, Jebensstraße 2, 10623 Berlin; 18.08.2017 — 07.01.2018

Zhang Kechun, People Crossing the Yellow River with a Photo of Mao Zedong, Henan, 2012 Inkjet Print, 120 × 147 cm
© Zhang Kechun

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Mo Yi Red, 1985 C-Print (2017), 60 × 87 cm
© Mo Yi

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Cao Kai, Summer of 1969, 2001-2002 HD edition 2010, DVD (Videostill)
© Cao Kai

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Feng Mengbo, My Private Album, 1996, Interactive Installation (Screenshot) © Feng Mengbo

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Hai Bo, They No. 5, 2000 Digital C-Print, 50 × 130 cm
© Hai Bo

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He Chongyue, The End 01 – An Aging Population: The Family Planning Series, 2010, Inkjet Print, 90 × 225 cm
© He Chongyue

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Maleonn, White on White #2, 2010, C-Print, 60 × 90 cm
© Maleonn

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Cai Dongdong, Shooting Practice, 2016 Silver Gelatin Print, Mirror, 100 × 100 × 100 cm
© Cai Dongdong

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Qu Yan, Wuzhuang village Head Of ce, Tushan Town, Pizhou County, Jiangshu
Province, 2005 C-Print (2017), 120 × 160 cm
© Qu Yan

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Shao Yinong & Mu Chen, Assembly Hall series – Yangzheng, 2003 C-Print, 20 × 168 cm
© Shao Yinong & Mu Chen

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Song Yong Ping, New Life, 1999 Silver Gelatin Print, 86 × 46 cm
© Song Yong Ping

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Wang Ningde Some Days, No. 30, 2005 Silver Gelatin Print, 50 × 60 cm
© Wang Ningde

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Wang Qingsong Competition, 2004 C-Print (2017), 300 × 170 cm
© Wang Qingsong

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Wang Youshen Washing, 2017 News Photographs, Developing Trays, Water, Clips, Thread, Dimensions Variable
© Wang Youshen

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Zhang Dali, A Second History 9: 1952 The First Sport Meeting of the National Army, 2005 C-Print (2017), 112 × 60 cm
© Zhang Dali

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Weng Naiqiang, Chairman Mao on Tian An Men, 1966 C-Print (2017), 100 × 100 cm
© Weng Naiqiang

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Photographer unknown Beijing, Tien An Men, 1966 Silver Gelatin Print, 5,4 × 4,6 cm
© Archiv Günter Karl Bose

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Designer unknown, Mao Zedong after Crossing the Yangtze, 1966 Poster, 73,2 × 52,0 cm
© Private collection

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Pressrelease

“Working on History. Contemporary Chinese Photography and the Cultural Revolution” discovers the impact of the Cultural Revolution on current art and photography in China.

MOMENTUM 9: ALIENATION THE 9TH NORDIC BIENNIAL OF CONTEMPORARY ART

Gallery F 15 and MOMENTUM Kunsthall I Moss, Norway; 17.06.2017 - 11.10.2017

Abigail DeVille
Invisibility Blues

Installation, 2016

Photo by Ginevra Shay
Courtesy the artist

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Atelier Cyberspace
Untitled

Collage, 1968-1970

Courtesy Carsten Hoff

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Búi A ðalsteinsson
Fly Factory

Stainless-steel, fibre glass, electric light,
soil, plants, black soldier flies, larvae and
larvae paté, 170×150× 80cm, 2014

Courtesy the artist

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H.R. GIGER,
Harkonnen-Capo chair, 1983.
Courtesy H.R. Giger Estate.

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Jenna Sutela
Gut-Machine Poetry, 2017

Photo by Mikko Gaestel
Courtesy the artist

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Johannes Heldén
Encyclopedia

Writing, 2015-2016

Courtesy the artist

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John Duncan
Scare, 1976

Photograph

Courtesy the artist

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Jone Kvie
Untitled (Carrier), 2006

Car paint on bronze

Photo by Anders Sune Berg
Courtesy the artist

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Jussi Kivi
Moonwoods, 2017

Detail of an installation

Courtesy the artist

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KAPWANI KIWANGA,
AFROGALACTICA: A BRIEF HISTORY OF THE FUTURE.

Performance: live reading with
video projection, 2012 – ongoing.

Courtesy the artist and
Galerie Tanja Wagner, Berlin

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Kjersti Vetterstad
No Maps for These Territories, 2012

Video, 07”47min

Courtesy the artist

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Levi van Veluw
Workspace II, 2016

Walnut wood, black ink, coal,
103 ×140 ×65cm

Courtesy the artist

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Linda Persson
Opalstone, 2017

Still from a video

Courtesy the artist

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Mediated Matter
Synthetic Apiary

Honeybee hive installation in the Synthetic
Apiary environment, 2016

Photo by The Mediated Matter Group
Courtesy The Mediated Matter Group

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Museum of Nonhumanity

Installation view at Suvilahti, Helsinki,
2016

Photo by Terike Haapoja
Courtesy Museum of Nonhumanity

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Olga Bergmann and Anna Hallin
The Pink Era

Site-specific installation in the coastal town
of Gar ður, Iceland, concrete, wood, string,
dirt, 2012

Courtesy the artists

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Patricia Piccinini
Atlas

Silicone, fiberglass, human hair and car
paint, 84×54×50cm, 2012

Courtesy the artist

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Patrick Jackson
House of Double

Detail of site-specific installation, 2011

Courtesy the artist

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Pinar Yoldas
Ecosystem of Excess

Detail of an installation, 2014

Courtesy the artist

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Public Dreaming

Sleep Structure, 2016

Courtesy Public Dreaming

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Ragnar Þórisson
Untitled

Oil on canvas, 200×170cm, 2012

Courtesy the artist

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Rolf Nowotny
CONKCLOACA

Installation, 2016

Courtesy the artist

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Serina Erfjord
Among Stars

Installation, 2014

Courtesy the artist

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Sonja Bäumel
Fifty Percent Human

Detail of an installation, 2016

Courtesy the artist

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Stathis Tsemberlidis
Transmutations of Human Bodies

Drawing, 2015

Courtesy the artist

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Third Ear Podcast
Logo
Courtesy Third Ear

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Trollkrem

Performance documentation by
Istavan Virag, 2016

Courtesy Trollkrem

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Wael Shawky

Cabaret Crusades: The Path to Cairo

HD video, color, sound, 58min, 2012

Courtesy the artist and Sfeir-Semler
Gallery Berlin/Hamburg

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Ylva Westerlund

The new hird, 2017
Sulfate 3000, 2016
Courtesy the artist

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MOMENTUM 9: ALIENATION

Visual identity designed by
Tuomas Kortteinen and Heikki Lotvonen

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Pressrelease

Since its inception in 1998, MOMENTUM has strived to present compelling works of art and outstanding artistic ventures in Norway and the Nordic context.

Winsor & Newton - Residence scholarship at the Künstlerhaus Bethanien in Berlin

Künstlerhaus Bethanien I Kottbusser Straße 10 10999 Berlin; 15 May and 15 November 2017

Aneta Kajzer
Ohne Titel
2017
(oil, acrylics and coloured pencils on canvas)
(280 × 200 cm / 110.24 × 78.74 inches)
© the artist

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Aneta Kajzer
Eisbär
2017
(oil, acrylics and gouache on canvas)
(200 × 140 cm / 78.74 × 55.12 inches)
© the artist

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Aneta Kajzer
Ohne Titel
2017
(oil and acrylics on canvas)
(80 × 40 cm / 31.5 × 16.75 inches)
© the artist

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Aneta Kajzer
old white man
2017
(oil and acrylics on canvas)
(97 × 95 cm / 38.19 × 37.4 inches)
© the artist

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Manuel Stehli
ohne Titel
2015
(170×220cm)
(oil on canvas)
© the artist

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Manuel Stehli
ohne Titel (Tektonik)
2015
(125×170cm)
(oil on canvas)
© the artist

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Manuel Stehli
Mojave
2016
(40×50cm)
(oil on canvas)
© the artist

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Manuel Stehli
Wall
2016
(120×160cm )
(oil on canvas)
© the artist

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Pressrelease

Fine art materials brand Winsor & Newton announces for the first time a call for two artist-in-residence grants at Künstlerhaus Bethanien, Berlin. This year´s grantees are Aneta Kajzer and Manuel Stehli.

International Summer School Bernau

14.08.2017 - 26.08.2017 Internationale Sommerschule | c/o Handwerkskammer Berlin | Bildungs- und Innovationszentrum | Wandlitzer Chaussee 40 | 16321 Bernau bei Berlin; 14. August - 26. August

Gym at night
2017
Photo: EBERLE & EISFELD
© EBERLE & EISFELD

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Gym at night
2017
Photo: EBERLE & EISFELD
© EBERLE & EISFELD

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Foyer and dining hall
2017
Photo: EBERLE & EISFELD
© EBERLE & EISFELD

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Glass Corridor
2017
Photo: EBERLE & EISFELD
© EBERLE & EISFELD

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Boarding School Building
2017
Photo: EBERLE & EISFELD
© EBERLE & EISFELD

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Isabella Pasqualini
Course Program 2017
© Isabella Pasquini/ International Summer School Bernau

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Eric Gjerde
Course Program 2017
© Eric Gjerde/ International Summer School Bernau

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Petra Gruber
Course Program 2017
© Petra Gruber/ International Summer School Bernau

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Thibaut de Ruyter
Course Program 2017
© Thibaut de Ruyter/ International Summer School Bernau

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Bill Dietz, Janina Janke & Julie Rüter
Course Program 2017
© Bill Dietz, Janina Janke & Julie/ International Summer School Bernau

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Pressrelease

Attractive Course Program Focusing on “Architecture & …”

Joachim Richau ‒ FRAGMENT or in the Presence of Doubt

ALFRED EHRHARDT STIFTUNG | Auguststr. 75 | 10117 Berlin; 16.09.2017 - 23.12.2017

Joachim Richau
STEN RÖD II 2015
© Joachim Richau

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Joachim Richau
BLOCK I
2015
© Joachim Richau

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Joachim Richau
STEN BROTT I
2010
© Joachim Richau

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Joachim Richau
VÄGG IX
2015
© Joachim Richau

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Joachim Richau
SPEGEL I
2015
© Joachim Richau

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Joachim Richau
STEN VIT III
2016
© Joachim Richau

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Joachim Richau
SPÅR VITT II
2016
© Joachim Richau

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Pressrelease

From the early 2000s onward, photographer Joachim Richau began to explore the Swedish landscape, where the photographs of the series FRAGMENT or the Presence of Doubt were taken.

Luther and the Avantgarde

ADDITIONAL PRESS MATERIAL: http://gallery.artpress-uteweingarten.de/ || TRAILER: http://bit.ly/2rwhmcM || Altes Gefängnis, Berliner Straße, 06886 Lutherstadt Wittenberg | St. Matthäus-Kirche, Matthäikirchplatz, 10785 Berlin | Karlskirche, Karlsplatz, 34117 Kassel; 19.05.2017 - 17.09.2017

Key visual
Luther and the Avant-garde
Art-Design: by Mannstein , based on an intervention by Bazon Brock

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Exterior view
The Old Prison in Luther City Wittenberg
Work by Manuel Graf
2017
Photo Daniel Biskup

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Exterior view
The Old Prison in Luther City Wittenberg
Work by Achim Mohné
2017
Photo Daniel Biskup

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Cell
Historic prison (Altes Gefängnis)
Lutherstadt Wittenberg
Photo: Daniel Biskup

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St. Matthäus-Kirche
Photo: Jens Bösenberg
2015

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Karlskirche Kassel
Photo: medio.tv/Schauderna

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robotlab
bios [bible], 2007
Roboterinstallation | robot
installation,
6 × 3 × 1,5 m;
Courtesy of the artist
Photo Daniel Biskop

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Miao Xiaochun
Zero Degree Doubt
2013
Acrylic on canvas, 150 × 150 cm.
© Miao Xiaochun

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Assaf Gruber
Die Berufung (The Calling), 2016/17
Video / DCP, Farbe, 17 min | video /
DCP, colour, 17 min; 14:59 min.
Still image
Courtesy of the artist

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Jia
The Chinese Version, 2016
Klebefolie auf Wand, Maße
variabel | adhesive film on wall,
dimensions variable;
Courtesy of the artist
Photo Daniel Biskup

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Johanna Reich
Resistance (Clara mit Simone de
Beauvoir), 2016/17
10 Plakatmotive auf Litfaßsäule |
10 poster motifs on advertising
column
© VG Bild-Kunst, Bonn 2017

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Marzia Migliora
Schuld, 2017
Schließfächer, Messingleiter, Spiegel,
Barrisol | deposit boxes, brass ladder,
mirror, Barrisol, ortsspezifische
Installation | site-specific installation;
Courtesy of Lia Rumma Gallery Milan |
Naples
Photo Daniel Biskup

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Jonathan Meese
inmitten seiner Arbeit | midst his work
ERZTARZAN’S ZELLE, DIE 95
KUNSTTHESEN DESTEUFELS ALASKA KIDADDY MACHT DAS RENNEN „K.U.N.S.T.“ (M.E.E.S.E. IST JOHNNY SINCLAIR), 2017
Mischtechnik, Maße variabel | mixed media, dimensions variable
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Julian Rosefeldt
Asylum, 2001/02
Video, Kurzfilm-Version von 9-Kanal-
Film | video, short film version of a 9-
channel film, 14:15 min;
Courtesy of the artist and VG Bild-
Kunst, Bonn

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Luise Schröder,
Gedenktafel „Im Gedenken an den Generalstreik der Frauen Wittenbergs am 4. Mai 1987”
2017
Photo Daniel Biskup

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Markus Lüpertz
Eiferer, 2017
Bemalter Gips | plaster, painted,
170 × 60 × 66 cm;
Courtesy of the artist
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Olya Kroytor
Performance auf Holzstamm | performance on wooden trunk;
Courtesy of the artist
Photo Daniel Biskup

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Stephan Balkenhol
Nackter Mann, 2017
Zedernholz, farbig gefasst | cedar
wood, painted, 179 × 87 × 45 cm
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Sebastian Riemer
DSSQ, 2011
C-Print_Ed5 2AP
84×84cm
© Sebastian Riemer

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Shilpa Gupta
I keep falling at you, 2010/2017
Klangskulptur, Mikrofone, Lautsprecher, Mehrkanalton
Installation
ca. 380×130×200 cm
© Shilpa Gupta

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Sun Xun
Bei der Arbeit an | working on
Protestant, 2017
Wandmalerei, Objekte | wall
painting, objects, ortsspezifische
Installation | site-specific
installation;
© artist / courtesy of ShanghArt Gallery
Photo Daniel Biskup

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Adrian Ghenie
o.T., Detail, 2017
Collage auf Papier | collage on paper,
33,5 × 29,2 cm;
Courtesy of the artist and Galerie
Thaddaeus Ropac,
Salzburg – Paris
Photo Daniel Biskup

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Yury Kharchenko
Haus 1, 2016
Öl auf Leinwand | oil on canvas,
100 × 80 cm;
Courtesy of the artist
Photo Daniel Biskup

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Monica Bonvicini
Bent in Shape (Detail), 2017
Teil der Gesamtinstallation | part
of the larger installation Erhellung,
2017 Neonröhren, Seil, Kabel, Stahlgestell | fluorescent tubes, rope, cable,
steel frame, ca. 100 × 180 × 40 cm;
Courtesy of the artist and König
Galerie, Berlin and Galerie Peter
Kilchmann, Zurich
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Thomas Huber
o.T., 2017
Öl auf Leinwand | oil on canvas,
80 × 60 cm;
Besitz des Künstlers | Property of the
artist
Photo Daniel Biskup

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Gilbert & George in front of the St. Matthew Church Berlin. Photo: Daniel Biskup.

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Gilbert & George: ASTRO STAR 2013, Series „SCAPEGOATING PICTURES“ © Gilbert & George

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Erwin Wurm
Boxhandschuh, 2016
Bronzeguss, patiniert | bronze
cast, patinized, 146 × 130 × 125 cm
© VG Bild-Kunst, Bonn 2017 / courtesy of Studio Erwin Wurm
Photo Daniel Biskup

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Christian Jankowski
Casting Jesus, 2011
Two-channel video
Courtesy the artist and Lisson Galle
ry, London

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Logo
Luther und die Avantgarde
Art-Design: von Mannstein

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Olaf Metzel
Luther rauf und runter, 2017
Aluminium, Edelstahl, Digitaldruck |
aluminium,
stainless steel, digital print, 670 × 130 x
140 cm;
Courtesy of the artist
Photo Daniel Biskup

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Christian Boltanski
Coeur, 2005
Schwarz bemaltes Glas, schwarzer
Karton, schwarzes Klebeband,
Glühbirne und Elektrokabel;
technische Anlage mit Herzklopfgeräuschen;
60 Spiegel unterschiedlicher
Größe, Installation, Maße
variabel | black-painted glass, black
paperboard, black tape, lamp,
electrical cable; technical equipment
with the sound of heartbeats; 60
mirrors of various sizes; installation,
dimensions variable;
Courtesy Christian Boltanski and
Kewenig Berlin | Palma
Photo Daniel Biskup

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Michael Sailstorfer
Mückenhaus, 2012
Straßenlampe, Aluminium, Moskitonetz, Farbe, Elektrizität | street lamp, aluminium, mosquito net, paint, electricity, 200 × 120 × 145 cm (Haus | house);
Courtesy: Michael Sailstorfer + König Galerie
Photo Daniel Biskup

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Maurizio Cattelan
Luther & The Avant Garde, 2017
Poster, Maße variabel |
dimensions variable;
© artist

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Xu Bing
Book from the Ground, seit | since
2003
(fortlaufend | ongoing) Mischtechnik |
mixed media, 142,2 × 119,4 × 104,1 cm;
Courtesy of the artist
Photo Daniel Faró

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Achim Mohné
0,000672 Megapixel – Citizen To be SeenFrom Mars, 2017
Bodenarbeit, 12 × 14 m, 672 Betonplatten, 11 Grautöne | floor piece, 12 × 14 m, 672 concrete slabs, 11 tones of grey;
Courtesy of the artist and VG Bildkunst, Bonn
Photo DroneBrothers, Berlin

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Juergen Staack
Script, 2013/2017
Installation, Performance, Script-
Leinwände in verschiedenen
Sprachen, Monitore | installation,
performance, script-canvases in
various languages, monitors,
ortsspezifische Installation | sitespecific
installation;
Courtesy of the artist and Konrad
Fischer Gallery
Photo Juergen Staack

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Elger Esser
Combray (Ambierle), 2012
Heliogravur auf Büttenpapier |
photogravure on
handmade paper, je | each 117 × 133 × 6
cm (gerahmt | framed);
© Elger Esser / VG Bild-Kunst, Bonn
2017
Courtesy Galerie Kewenig, Galerie
Thaddaeus Ropac

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Ai Weiwei
man in a cube, 2017
Beton, 2-teilig | concrete block in
two parts, je | each
150 × 105 × 52,1 cm;
© artist
Photo Daniel Biskup

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Song Dong
Prison in Prison, 2017
Acrylglas | acrylic glass, 320 × 220 x
220 cm;
Courtesy of Pace Gallery
Photo Daniel Faró

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Pressrelease

The exhibition is an encounter between the figure of the reformer, a visionary and avant-gardist of his era, and contemporary art that engages with the questions facing society today.

Mike Bourscheid – Thank you so much for the flowers

La Biennale di Venezia I Luxembourg Pavilion at the 57th International Art Exhibition; 13.05 - 26.11. 2017

Mike Bourscheid, Thank you so much for the flowers, 2017.
Copyright Mike Bourscheid.
Production photo 2017

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Mike Bourscheid, The Goldbird Variations, Sculpture, performance, audio, 2016. Realised with the support of L’Œil de Poisson, Québec.
Courtesy the artist

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Mike Bourscheid, The Goldbird Variations, Sculpture, performance, audio, 2016. Realized with the support of L’Œil de Poisson, Québec.
Courtesy the artist

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Mike Bourscheid, This is how I imagine love, Sculpture, performance, vinyl album, 2015. Courtesy the artist.

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Mike Bourscheid, The wellbeing of things: a 5 km race, video still, 2017. Courtesy the artist.

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Mike Bourscheid, The Oracle (working title), 2017.
Copyright Mike Bourscheid.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view Mike Bourscheid – Thank You so much for the flowers 2017. 57th International Art Exhibition – La Biennale
Di Venezia.
Copyright
Mike Bourscheid.
Photo: Mike Bourscheid.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia. Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so Much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Casino Luxembourg.

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Mike Bourscheid – Thank you so Much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Casino Luxembourg.

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Pressrelease

Mike Bourscheid has been selected to represent Luxembourg at the 57th International Art Exhibition – la Biennale di Venezia with the exhibition Thank you so much for the flowers.

SLATER B. BRADLEY: SUNDOOR AT WORLD’S END

La Maddalena (Kirche der Maria Magdalena) | Campiello Maddalena, 30121 Venice; 11 May - 26 Nov

Slater Bradley
In5Dcubation Lightbody Shield, 2015
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Private Collection Berlin, Courtesy of Slater Bradley Studio, Berlin
and Sprüth Magers
© Slater B. Bradley

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Slater Bradley
4DCC Manik Wave Shield, 2015
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Collection of Nico
Wollenberg, Courtesy of Slater Bradley Studio, Berlin
© Slater B. Bradley

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Slater Bradley
Solar6 Gate Wave Shield, 2015
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Collection of Tilman
Kriesel, Courtesy of
Slater Bradley Studio, Berlin
© Slater B. Bradley

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Slater Bradley
Ninth Wave Solar Shield, 2016
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Glass
UV 92, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Courtesy of Slater Bradley Studio, Berlin and Galeria Filomena Soares, Lisbon
© Slater B. Bradley

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Slater Bradley
Galactic Octave Wave Shield, 2016
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Private Collection Berlin, Courtesy of Slater Bradley Studio, Berlin
and Sprüth Magers
© Slater B. Bradley

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Pressrelease

In occasion of the 57th International Art Exhibition La Biennale di Venezia, Zuecca Projects is proud to present “Sundoor at World’s End”, an exhibition by the American artist Slater B. Bradley.

MIKA TAANILA: group exhibition ‘Mirrored’ – 57. Biennale di Venezia and ‘The Earth Who Fell To Men’ – Salon Dahlmann

La Biennale di Venezia | Nordic Pavillon + Salon Dahlmann | Concierge Room | Marburger Straße 3 | 10789 Berlin + Balzer Projects | Wallstraße 10 | 4051 Basel; 13 May - 26 Nov + 09 June – 26 August

Mika Taanila
The Man Who Fell to Earth (profile), 2017
prepared cinema book photo by Nici Jost

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Mika Taanila
The Man Who Fell to Earth (profile), 2017 prepared cinema book
photo courtesy balzer
projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzerprojects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila
Brushes, 2017
prepared cinema book
photo by Johnny Korkman

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Mika Taanila
Curtains, 2017
prepared cinema book
photo by Johnny Korkman

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Mika Taanila
The Beast, 2017
prepared cinema book
photo by Johnny Korkman

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Pressrelease

Helsinki-based Mika Taanila is one of six artists represented in the Nordic Pavilion at the 57th Biennale di Venezia.

Socle du Monde Biennale 2017 - To challenge the Earth, the Moon, the Sun & the Stars

HEART - Herning Museum of Contemporary Art | Carl-Henning Pedersen & Else Alfelts Museum | Herning Højskole | The parks around HEART; April 22 - August 27, 2017

HEART– Herning Museum of Contemporary Art, Denmark
Photo: Iwan Baan

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Piero Manzoni
Socle du Monde, 1961.
Photo: Ole Bagger
Courtesy of HEART – Herning Museum of Contemporary Art

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Otto Piene, Hommage Moholy Nagy, 2009

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Piero Manzoni, Achrome, 1961, Photo by
Gunnar Merrild, Courtesy of HEART

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Günther Uecker, Kosmische Visionen (5 Lichtscheiben),
1961-81, Privatsammlung, Düsseldorf

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Yves Klein, Monochrome Orange sans titre
(M 111), 1955 © Ahlers Collection

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Conrad Shawcross, The ADA Project, 2013 © MONA -Museum of Old and New Art, Tasmania

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Mahsa Karimizadeh, Blood rooted, 2008,
photo courtesy of the artist

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Weisse Nepix, 2009, Schlosspark Moers Germany, Photo by Keisuke
Matsuura

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Piero Manzoni with Merda d’artista 1961.
Photo: Ole Bagger. Courtesy of HEART

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Wim Delvoye, Slobodan, 2004 © photo courtesy of the artist

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Spencer Tunick, Socle du Monde (Herning,
Denmark) 2016, Courtesy of the artist

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Spencer Tunick , Moscow, Russia (Smolensky
Boulevard) 2009, Courtesy of the artist

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Charlés Freger, Caretos de Lazarim,
Photographic Series: WILDER MANN,
2011, Portugal © Charles Fréger

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Carl-Henning Pedersen, Yellow-Black Mask Picture (1947)
© Carl-Henning Pedersen & Else Alfelts Museum

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Detail: Installation Theatre du Monde,
Museum for Old and New Art,
MONA, Hobart

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Detail: Installation Theatre du Monde,
Museum for Old and New Art,
MONA, Hobart

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Koen Vanmechelen, Installation view, La Biomista -Cosmopolitan Chicken Project, GLOBALE, ZKM | Center
for Art and Media, Karlsruhe (DE), 2015

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Chiharu Shiota, A Long Day, 2015, K21 – Kunstsammlung NRW, Düsseldorf, Germany.
Photo: Sunhi Mang © VG Bild-Kunst

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Rirkrit Tiravanija, The Land, 2004, photo by Francesca
Grassi, courtesy of the artist

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Carl-Henning Pedersen & Else Alfelts
Museum. Photo: Mikael Lykke Madsen
Courtesy of the museum.

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Oliver Beer, Outside In, 2013
© Tadzio Fondation Hermes

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Aerocene Explorer, 2016
© Photography by Studio Tomás Saraceno, 2016

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Area around HEART. Photo: Iwan Baan.
Courtesy of HEART

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Photo and Courtesy: Carl-Henning
Pedersen & Else Alfelts Museum

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Ingvar Cronhammar, Elia, 2001.
Photo: Ole Jørgensen

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Geometrical Garden, Herning, Denmark.
Photographer unknown

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HEART – Herning Museum of
Contemporary Art, Denmark,
Photo: Steen Gyldendal

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Super Cloaca, 2007. Wim Delvoye at MUDAM Luxembourg. Courtesy of the artist.

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Pressrelease

THE 7TH EDITION OF DENMARKS OLDEST BIENNALE FOR CONTEMPORARY ART CHALLENGES THE PAST, PRESENT AND THE FUTURE.

Jonas Burgert - ZEITLAICH

BlainISouthern I Postdamer Str. 77 - 87 I 10785 Berlin; 29 April - 29 July 2017

Jonas Burgert
Dachte Sie
2016
Öl auf Leinwand / Oil on canvas
240 × 180 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
ein Mut
2017
Öl auf Leinwand / Oil on canvas
240 × 180 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
trag früh
2017
Öl auf Leinwand / Oil on canvas
240 × 180 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
Nachtag
2016
Öl auf Leinwand / Oil on canvas
240 × 300 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
Mutsud
2016
Öl auf Leinwand / Oil on canvas
240 × 300 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
Work in Progress
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress (detail)
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress (detail)
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress (detail)
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
ZEITLAICH
2017
Oil on canvas, 6 × 22m,
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios300dpi

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Pressrelease

Blain|Southern presents Jonas Burgert’s exhibition “ZEITLAICH”.

International Light Art Award 2017

AWARD CEREMONY; 21.04.2017

Logo ILAA

© Zentrum für Internationale Lichtkunst Unna

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Preisträger: Satoru Tamura
2017
© Frank Vinken

© Zentrum für Internationale Lichtkunst

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Preisverleihung 2017
© Frank Vinken

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Preisverleihung Bild 2
2017
© Frank Vinken

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Preisverleihung Bild 3
2017
© Frank Vinken

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Lüster
Skizze für Lichtkunszentrum
Unna
2016
© Tilman Küntzel

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Lüster Detail
2017
© Tilman Küntzel

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Tilman Küntzel – Audiovisuelle
Rauminszenierung mit Lüster
2017
© Frank Vinken

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Audiovisuelle Rauminszenierung
mit Lüster- Detail
2017
© Frank Vinkenn

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Audiovisuelle Rauminszenierung
mit Lüster
2017
© Frank Vinken

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a
2017
© Frank Vinken

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Point of Contact mit Satoru
Tamura
2017
© Frank Vinken

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Point of Contact mit Satoru
Tamura
2017
© Frank Vinken

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‘Echo, turning the light around’
2017
Centre for International Light Art
Unna
© Vroegop/Schoonveld

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‘Echo, turning the light around’
2017
© Frank Vinken

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‘Echo, turning the light around’
mit Vroegop/ Schonveeld
2017
© Frank Vinken

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‘Echo, turning the light around’
mit Vroegop/ Schonveeld
2017
© Frank Vinken

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‘Echo, turning the light around’
2017
Centre for International Light Art
Unna
© Vroegop/Schoonveld

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James Turrell: Third Breath
(2009)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Keith Sonnier: Tunnel of Tears
(2002)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Jan Van Muster: Ich [im Dialog]
(2005)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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John Jaspers
Direktor des Zentrums für
Internationale Lichtkunst Unna
(vor der Installation des
Künstlers Joseph Kosuth)
© www.frankvinken.com

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James Turrell: Floater 99
(1999/2001)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Ólafur Elíasson: Der
reflektierende Korridor, Entwurf
zum Stoppen des freien Falls
(2002)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Joseph Kosuth: Die Signatur des
Wortes [Licht und Finsternis]
(2001)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Pressrelease

The finalists for the International Light Art Award (ILAA) have been determined: Tilman Küntzel (Germany), Satoru Tamura (Japan) as well as the duo Vroegop/Schoonveld (The Netherlands)

Perspektive 2017 – Fund for Contemporary Art and Architecture

Germany / France; 01.01. - 31.12.2017

Porcelain Filter
(Project Foreign Objects)

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Ingo Duennebier
(Project: Form Follows Aktion)

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La Galerie, Noisy-le-Sec, vue aérienne
(Project: La Presse)

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Niche: L’Espace Feminin, Dinner-Talks
(Project: Making Spaces)

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Moritz Simon Geist : Sonic Robots
(Project: Remembering the Future)

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Visual Perspektive French
Copyright: Perspektive, Bureau des arts plastiques

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Visual Perspektive German
Copyright: Perspektive, Bureau des arts plastiques

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Candice Lin, System for a Stain, 2016, mixed media. Commissioned by Gasworks. Courtesy of the artist

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Parasite space
Copyright: Brad Downey & Diego Sologur

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District Kunst und Kulturförderung
Copyright: District Kunst- und Kulturförderung GmbH

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Niche dîner discussio“ Copyright: Niche Berlin

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Bellastock
Copyright: Association Bellastock

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Pressrelease

Perspektive – Fund for Contemporary Art and Architecture, initiated by the Bureau for Visual Arts, aims to support projects happening between France and Germany.

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