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HARF ZIMMERMANN - FIRE WALL

ALFRED EHRHARDT FOUNDATION | Auguststr. 75 | 10117 Berlin; April 21 to June 24, 2018

Harf Zimmermann, Brandwand #9, 2011
© Harf Zimmermann

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Harf Zimmermann, Brandwand #48, 2010
© Harf Zimmermann

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Harf Zimmermann, Brandwand #3, 2010
© Harf Zimmermann

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Harf Zimmermann, Brandwand #1, 2010
© Harf Zimmermann

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Press release

Harf Zimmermann, born in Dresden in 1955 and raised in Berlin, experienced the ruins and gaps in the urban landscape of the postwar period, when European cities continued to bear the scars of World War II for a long time. In his monograph “BRAND WAND”, published in 2014 by Steidl, the photographer describes the barren fire walls in Berlin, as a “sea of bricks” and as “testimony to catastrophe and failure.”

DUESSELDORF PHOTO

Düsseldorf; 16.02. - 25.02.2018

Louise Dahl Wolfe
Looking at Matisse, Museum of Modern Art
1939
Collection Staley Wise Gallery. ©1989 Center for Creative Photography, Arizona Board of Regents.

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Luise Dahl Wolfe
Yves Montand (Ivo Livi) (Monsummano Terme, Italy 1921 – Senlis, France 1991) actor and singer

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Luise Dahl Wolfe
Suzy Parker by the Seine, Costume by Balenciaga
1953
Collection Staley Wise Gallery. © 1989 Center for Creative Photography, Arizona Board of Regents.

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Louise Dahl Wolfe
Twins At The Beach Nassau, 1949
Collection Staley Wise Gallery. © 1989 Center for Creative Photography, Arizona Board of Regents.

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Corina Gertz
Deutsche Tracht
2010

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Corina Gertz
Deutsche Tracht
2010

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Anna Grzelewska
Serie Julia Wannabe
© Anna Grzelewska
2015

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Zuza Krajewska
Adrian and Andrzej, twins
c-print
© Zuza Krajewska
2016

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Paul Barsch
Pizza Voyeur vegetarian pizza screenholder 1
2014

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Jennifer Chan
Big Sausage Pizza II
Photo Print on Fleece
2013

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Simon M. Benedikt
Andy Warhol eating a hamburger, Macaulay Culkin eating a pizza, and Simon M. Benedict eating chips
Video Screenshot

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Barbara Karsten
Composition 7D, 7E, 7T
2017

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Barbara Kasten
Parallels I
2017

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Lynn Hershman Leeson
iPhone Crack (August Moon), Installation, Courtesy the artist & Waldburger Wouters, Brussels
Foto: KAI 10 | Arthena Foundation, Alexandra Höner
2014

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Thomas Hirschhorn
Subjecter (Katastrophé) Atelieransicht/Studio View
Courtesy the artist
2010

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Akram Zaatari
A Photographer’s Imagination
2017

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Akram Zaatari
On Photography
Dispossession and Times of Struggle
2017

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Thomas Schüpping
Power Pole
Sw Print Fine Art auf Holz 110×164 cm
California
2013

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Thomas Schüpping
Nevada Fire V
Sw Print Fine Art auf Holz
146×220 cm
California
2016

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Kris Scholz
Marks And Traces 24 Kunstakademie Düsseldorf, 60X50Cm
2012

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Kris Scholz
Marks And Traces,
20, Fundacion Valparasio, 60X50 cm
2012

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Luc Saalfeld
Fundament
© DISPLACED
2017

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Mathieu Tremblin und Jordan Seiler
Digital Fortune Cookies

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Hermann Laupsien
1910 – 2007
Bernard Langerock, Licht-Collage/Fotografie
2017

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Filmstill
Blow Up
Michelangelo Antonioni
1966

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Filmstill
Blow Up
Michelangelo Antonioni
1966

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Anna Grzelewska
Serie Julia Wannabe
© Anna Grzelewska
2015

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Anna Grzelewska
Serie Julia Wannabe
© Anna Grzelewska
2015

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Zuza Krajewska
Zemo and Bajka
c-print
® Zuza Krajewska
2016

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Zuza Krajewska
Mateusz and his birds
c-print
® Zuza Krajewska
2016

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Martin Kippenberger Schlecht belegte Studentenpizza gepollockt, ganz / © Foto Peter Hinschläger, Aachen

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Edin Bajric, körperlich(t)

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© Malkasten Archiv

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Daniel Poller, Christoph Westermeier
Trümmer Tanz Ii
Vg Bild 2017

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Herlinde Koelbl
Haare
© Herlinde Koelbl

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Herlinde Koelbl
Merkel 1991 Merkel 2008
© Herlinde Koelbl

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Herlinde Koelbl
Schlafzimmer London 1
© Herlinde Koelbl

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Charles Wilp
Poona – im Ashram des Sektengründers Bhagwan Shree Rajneesh, 1978
© bpk Bildagentur / Charles Wilp

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Charles Wilp
Poona – im Ashram des Sektengründers Bhagwan Shree Rajneesh, 1978
© bpk Bildagentur / Charles Wilp

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Press release

DUESSELDORF PHOTO will kick off in February 2018—a new photo-festival in Germany and the largest one in NRW. Around 30 museums, cultural institutions, universities, galleries, and project spaces will present the works of more than 100 photographers.

Announcing the Five Winning Projects of the French- German Fund for Contemporary Art and Architecture PERSPEKTIVE 2018

France | Germany; 2018

Visual Perspektive, Copyright: Perspektive, Bureau des arts plastiques

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Olive Martin und Patrick. Bernier, Le Déparleu, 2017, partizipatives künstlerisches Projekt im, Le 19, CRAC

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Filipa César & Louis, Henderson, Sunstone, 2018, Videostill, © Filipa César & Louis Henderson

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Hallo Festspiele, ©
Johannes Kollender

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Hallo Festspiele,
© Hallo Festspiele

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Kraftwerk Bille, ©
Kraftwerk Bille

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Hallo Festspiele, © Laura
Léglise

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Hallo Festspiele, © Laura Léglise

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MakeCity 2018, © Hanns Joosten / TOPOTEK 1 / The Garden Berlin

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MakeCity 2018, © M.H. Ettefagh / Tensile Architecture

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Tobias Donat, Departure, 2017, Courtesy der Künstler und Philipp Pflug Contemporary, Frankfurt am Main, Foto: Wolfgang Günzel

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Jon Rafman, You, the world and I (.com), 2010, Videostill, Courtesy der Künstler und Galerie Sprüth Magers, Berlin

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Press release

PERSPEKTIVE is a French-German fund for contemporary art and architecture created by the Bureau des arts plastiques of the Institut français Germany with the aim of intensifying cooperation between the two countries.

Out of Touch / Out of Time | Aneta Kajzer & Manuel Stehli

Künstlerhaus Bethanien I Kottbusser Straße 10, 10999 Berlin; 02.03.2018 - 25.03.2018

Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
Bist du noch da, 2017, Öl und Acryl auf Leinwand, 68 × 45 cm
© Aneta Kajzer

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Aneta Kajzer
Cyborglady, 2017, Öl und Acryl auf Leinwand, 100 × 70 cm
© Aneta Kajzer

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Aneta Kajzer
Prima Ballerina, 2017, Öl und Acryl auf Leinwand, 300 × 200 cm
© Aneta Kajzer

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Aneta Kajzer
Babyface,
2017, Öl und Acryl auf Leinwand,
68 × 48 cm
© Aneta Kajzer

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Aneta Kajzer
„Gorilla“: I’ve got not brain baby,
2017, Öl und Acryl auf Leinwand,
160 × 145 cm
© Aneta Kajzer

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Aneta Kajzer
Trunkenbold, 2017, Öl und Acryl auf Leinwand,
60 × 45 cm
© Aneta Kajzer

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Aneta Kajzer
„Wurm“: Ohne Titel (Twist),
2017, Öl und Acryl auf Leinwand,
300 × 200 cm
© Aneta Kajzer

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Manuel Stehli
ohne Titel
2015, Öl auf Leinwand,
170×220cm
© Manuel Stehli

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Manuel Stehli
ohne Titel, (Tektonik)
2015, Öl auf Leinwand,
125×170cm
© Manuel Stehli

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Manuel Stehli
Mojave, Öl auf Leinwand
2016, Öl auf Leinwand
40×50cm
© Manuel Stehli

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Manuel Stehli
Wall
2016, Öl auf Leinwand
120×160cm
© Manuel Stehli

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Manuel Stehli
“ohne Titel”
200×250cm
Öl auf Leinwand
2018
© Manuel Stehli

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Manuel Stehli
“Tempel”
40×50cm
Öl auf Leinwand
2018
© Manuel Stehli

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Manuel Stehli
at his studio at
Künstlerhaus
Bethanien, Berlin,
2018
© Artpress

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Manuel Stehli
at his studio at
Künstlerhaus
Bethanien, Berlin,
2018
© Artpress

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Press release

In the double exhibition “Out of Touch / Out of Time” Winsor & Newton scholarship holders Aneta Kajzer and Manuel Stehli bring together two divergent painting practices, which in their distinction from each other posit a relationship to each other.

Kiasma Commission by Kordelin: Maija Luutonen

Kiasma | Mannerheiminaukio 2 | 00100 Helsinki | Finland; February 9 – July 29, 2018

Maija Luutonen
Rednose Barista
2016
Acrylic on paper
Sculpture epoxide resin and silicone
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
Rednose Barista, Detail
2016
Acrylic on paper
Sculpture epoxide resin and silicone
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
Weights, Calories, Two Weeks
2016
320 × 140 cm
Acrylic on paper
Sculpture epoxide resin and silicone
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
Weights, Calories, Two Weeks, Detail
2016
320 × 140 cm
Acrylic on paper
Sculpture epoxide resin and silicone
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
2016
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
In Ur Pt
2016
240 × 140 cm
Acrylic on paper
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
Flowers Cover the Earth
2016
240 × 140 cm
Acrylic on paper
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
U in B
2016
240 × 140 cm
Acrylic on paper
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
For a Broken Heart
2016
240 × 140 cm
Acrylic on paper
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
Saturated With Life
2016
240 × 140 cm
Acrylic on paper
Installation view, Maija Luutonen: Soon 19.11.-18.12.2016, SIC, Helsinki
Photo: SIC

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Maija Luutonen
U in J
2016
240 × 140 cm
Acrylic on paper
Installation shot: SIC

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Kiasma
Finnish National Gallery
Photo: Petri Virtanen

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Kiasma
Finnish National Gallery
Photo: Petri Virtanen

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Portrait of Maija Luutonen
2017
Photo: Finnish National Gallery/
Petri Virtanen

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Maija Luutonen
Patch, 2018
280cmx140cmx2cm (each painting)
Installation view, Kiasma Commission by
Kordelin, Feb 9 – Jul 29, 2018, Kiasma
Museum of Contemporary Art, Helsinki
Photo: Finnish National Gallery / Petri Virtanen

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Maija Luutonen
Patch, 2018
280cmx140cmx2cm (each painting)
Installation view, Kiasma Commission by
Kordelin, Feb 9 – Jul 29, 2018, Kiasma
Museum of Contemporary Art, Helsinki
Photo: Finnish National Gallery / Petri Virtanen

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Maija Luutonen
Patch, 2018
280cmx140cmx2cm (each painting)
Installation view, Kiasma Commission by
Kordelin, Feb 9 – Jul 29, 2018, Kiasma
Museum of Contemporary Art, Helsinki
Photo: Finnish National Gallery / Petri Virtanen

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Maija Luutonen
Patch, 2018
Detail
30×40×20xcm
Installation view, Kiasma Commission by
Kordelin, Feb 9 – Jul 29, 2018, Kiasma
Museum of Contemporary Art, Helsinki
Photo: Finnish National Gallery / Petri Virtanen

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Maija Luutonen
Patch, 2018
Detail
30×15×15cm
Installation view, Kiasma Commission by
Kordelin, Feb 9 – Jul 29, 2018, Kiasma
Museum of Contemporary Art, Helsinki
Photo: Finnish National Gallery / Petri Virtanen

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Press release

Kiasma Commission by Kordelin is a new Finnish concept for promoting and producing contemporary art. It aims to provide international exposure for one selected Finnish artist.

Underground and Improvisation. Alternative Music and Art after 1968 Exhibitions, Concerts, Discourses

Akademie der Künste | Hanseatenweg 10 | 10557 Berlin; 15. March - 6. May 2018

Günter „Baby“ Sommer, Peter Kowald, Wadada Leo Smith, Chicago Wuppertal
Dresden at the Flöz/Berlin, 1979, Photo: Dagmar Gebers © Dagmar Gebers/FMPPublishing, VG Bild-Kunst, Bonn 2018

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Duo Søren Kjærgaard und Simon Steen-Andersen
Foto: Privat

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Peter Brötzmann and Albert Mangelsdorff, Free Music Market, Akademie der
Künste/Berlin, 1971, Photo Werner Bethsold © Werner Bethsold/FMPPublishing

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Audience at the workshop, Freie Musik (Free Music), Akademie der
Künste/Berlin, 1970, Photo: Werner Bethsold © Werner Bethsold/FMPPublishing

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Cecil Taylor, Günter „Baby“, Sommer, Improvised Music II, 1988
Photo: Dagmar Gebers © Dagmar Gebers/FMPPublishing, VG Bild-Kunst,
Bonn 2018

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Peter Kowald, A. R. Penck at the workshop Freie Musik (Free Music), Akademie der Künste/Berlin, 1984, Photo: Dagmar Gebers © Dagmar Gebers/FMPPublishing, VG Bild-Kunst, Bonn 2018

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The Peter Brötzmann Group + Don Cherry at the workshop Freie Musik (Free
Music), Akademie der Künste/Berlin, 1971 Photo: Werner Bethsold © Werner Bethsold/FMPPublishing

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Feminist Improvising Group, FIG at the Total Music
Meeting (TMM), 1974, Photo: Dagmar Gebers © Dagmar Gebers/FMPPublishing, VG Bild-Kunst,
Bonn 2018

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Zorka Ságlová, Throwing Balls (Házení míčů) in Bořín Pond, Happening in
Průhonice, April 1969 © Jan Ságl / Collection of Muzeum Sztuki, Łódź

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AG Geige, 3. Internationales Art Rock Festival, Frankfurt am Main, 1991
Foto: Dieter Wuschansky ©

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Sven-Åke Johansson mit dem NMUI Im SO 36, `79, Cover Single 7’’, FMP-S 17,
Design: Martin Kippenberger © FMP Publishing

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Poster Total Music Meeting, 1968, Design: Jost Gebers © FMP Publishing

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Jan Ságl, The Plastic People of the Universe photographed
in the grounds of the Břevnov Monastary, Prague, 1970 © Jan Ságl / Collection of Muzeum Sztuki, Łódź

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Katalin Ladik, Zachód Słońca (Sunset), 1975 © Katalin Ladik / Collection of Muzeum Sztuki, Łódź

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(E-E) Evgenij Kozlov, KINO, 1985, Collection of Muzeum Sztuki, Łódź © (E-E) Evgenij Kozlov

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Wiktor Gutt & Waldemar, Raniszewski, Wyrazy na twarzy (Expressions on a
Face), 1987 © Wiktor Gutt / Collection of Muzeum Sztuki, Łódź

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Milan Knížák, Score for Aktual band song ‘Děti Bolševizmu’ (Children of Bolshevism), 1968 © Milan Knížák / Collection of Muzeum Sztuki, Łódź

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Katalin Ladik, Loc k, 1978 © Katalin Ladik / Collection of Muzeum Sztuki, Łódź

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Press release

Two exhibitions on the themes of underground and improvisation will focus on the alternative music and art movements in East and West.

PEDRO CABRITA REIS, NAN GOLDIN, JUSTIN MATHERLY

Gallery KEWENIG | Brüderstr. 10, 10178 Berlin |; 3 February – 14 April 2018

Pedro Cabrita Reis
Still Life With Car Tire, 2017
© KEWENIG, Berlin

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Nan Goldin
God’s fingers, Galway, Ireland
2002
© KEWENIG, Berlin

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Justin Matherly
Untitled (Fear, Anxiety and Joy),
2016
© KEWENIG, Berlin and Paula
Cooper Gallery, New York.
Photo: Steven Probert

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Press release

KEWENIG is pleased to open the exhibition, “PEDRO CABRITA REIS, NAN GOLDIN, JUSTIN MATHERLY”, and to show these three international artists presented together for the first time.

N A U T I L U S Snails, Mussels, and Other Mollusks in Photography

ALFRED EHRHARDT FOUNDATION | Auguststr. 75 | 10117 Berlin; January 13 to April 15, 2018

Herbert Bayer
Kurz vor der Dämmerung
1936, späterer Abzug
Silbergelatine, 28 × 35,4 cm
© VG Bild-Kunst, Bonn 2018. Courtesy
Galerie Kicken Berlin
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Fritz Block
Riesenstachelschnecke/Murex inflatus
(Röntgenaufnahme)
1931
Silbergelatine, 15 × 11,6 cm
© Fritz Block Estate Archive,
Stockholm/Hamburg

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Imogen Cunningham
Five Shells
um 1930, späterer Abzug
Silbergelatine, 35,6 × 45,7 cm
© 1930-2017 Imogen Cunningham
Trust

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Alfred Ehrhardt
Nautilus pompilius L., Philippinen,
1940/41, Abzug 1968
Silbergelatine, 30 × 24,2 cm
© bpk / Alfred Ehrhardt Stiftung

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Bernard F. Eilers
Glasnegativ 1922, Abzug 2017
64 × 61 cm
aus der Serie Schelpen, Wendingen
1923, No. 8/9
© Bernard F. Eilers, Nederlands
Fotomuseum, Rotterdam

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Fred Koch
Nautilus pompilius
undatiert
Silbergelatine, 23 × 16,5 cm
Courtesy Sammlung Dr. Hans Schön

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Herbert List
Fortsetzung im Irrealen, Ostsee Strand,
Deutschland
1934
Silbergelatine, 12,4 × 14,3 cm
© Herbert List Nachlass, Hamburg

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Man Ray
L’Oeuf et Coquillage
1931, Abzug 1991 für Griffelkunst
Silbergelatine, 30 × 24 cm
© Man Ray Trust, Paris/VG Bild-Kunst,
Bonn 2018
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Aenne Mosbacher
Elsterschnecke
1930
Silbergelatine, 29,6 × 22,6 cm
ullstein bild collection
Kosten für die Nutzung müssen direkt
mit ullstein bild ausgehandelt werden
unter kontakt@ullsteinbild.de // The
fee for any other use of the image
must be negotiated directly with
ullstein bild, kontakt@ullsteinbild.de

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Walter Peterhans
Ohne Titel [Stillleben mit Stoff und
Muschel]
um 1929, späterer Abzug
Bromsilbergelatine, 29,2 × 39,3 cm
© Nachlass Walter Peterhans, Museum
Folkwang, Essen

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José Maria Sert
Etude de coquillage pour „Les aventures
de Simbad le marin“, Residenz von
Joshua S. Cosden, Palm Beach, Florida,
USA
1923
Silbergelatine, 24 × 30 cm
© JOSE MARIA SERT. Courtesy galerie
michèle chomette, Paris

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Otto Steinert
Stillleben mit Pfeife
1958
Silbergelatine, 65 × 55 cm
© Nachlass Otto Steinert, Museum
Folkwang, Essen. Courtesy Sammlung
Ann und Jürgen Wilde, Zülpich

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Josef Sudek
Stillleben Caravaggio Nacht I
1956
Silbergelatine, 24 × 30 cm
© I&G Fárová Heirs. Courtesy Galerie
Johannes Faber

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Edward Weston
Shell
1927, Abzug 1970er-Jahre
35 × 40 cm
© VG Bild-Kunst, Bonn 2018
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Wols
Ohne Titel [Stillleben – Muschel]
1938–1939, Abzug 1970er Jahre
Silbergelatine, 23,9 × 17,8 cm
© VG Bild-Kunst, Bonn 2018. Courtesy
Kupferstich-Kabinett, Staatliche
Kunstsammlungen Dresden, Foto:
Herbert Boswank
kostenfreie Veröffentlichung nur im
Rahmen der aktuellen
Berichterstattung (ab 3 Monate vor
Ausstellungsbeginn bis 6 Wochen
nach Ende der Ausstellung) // Photos
may be used free of charge in
conjunction with articles or reports
featuring the exhibition (within three
months before the start of the
exhibition and six weeks after closing)

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Press release

In addition to plants and crystals, snails, shells, and other mollusks (conchs) are among the “structural forms in nature” that particularly fascinated the photographers of the modern era.

Hello World. Revisioning a Collection

Hamburger Bahnhof | Invalidenstraße 50-51 | 10557 Berlin; 28 April – 26 August 2018

Mladen Stilinović
An Artist Who Cannot Speak English Is No Artist
1992
Acryl on artificial silk
140 × 430 cm
© Mladen Stilinovic’s Estate, Zagreb
Photo: Boris Cvjetanović

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Heinrich Vogeler
Kulturarbeit der Studenten im Sommer
1924
Oil on canvas
126 × 90 cm
© Staatliche Museen zu Berlin, Nationalgalerie
Photo: Volker-H. Schneider

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Marina Nuñez del Prado
Venus Negra
1958
Basalt
80,5 (H) x 52 (B) x 31,5 (D) cm
Shot: Scuplture garden of the Neue Nationalgalerie
© Staatliche Museen zu Berlin, Nationalgalerie
Photo: Reinhard Friedrich

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Press release

Hello World. Revisioning a Collection is a critical inquiry into the collection of the Nationalgalerie and its predominantly Western focus.

ACTS OF LIGHT - MACK & GOETHE

A Special Exhibition at the Goethe-Museum | Jacobistraße 2 | 40211 Düsseldorf +49211 8996262; March 4 - May 27, 2018

Heinz Mack

Ohne Titel,
nach einer Vorlage von Goethe, 1991

Pastellkreide und Sprühfarbe auf Bütten,
76,5 × 111 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

For an oriental mirror, 2008

Acryl auf Leinwand, 60 × 72 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

Ohne Titel, 2016

Acryl auf Leinwand, 210 × 223 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

Ohne Titel, 2005

Sprühfarbe auf Karton, 76 × 111 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Heinz Mack

Ohne Titel, 1971

Collage, 26,2 × 22,6 × 2,3 cm

Copyright: VG Bild-Kunst, Bonn 2017

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Johann Wolfgang von Goethe

West-oestlicher Divan, 1819
Titelblatt, Erstausgabe, Geschenkexemplar

Copyright: Goethe-Museum Düsseldorf

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Johann Wolfgang von Goethe

Eigenhändige Niederschrift des Gedichtes Ginkgo biloba aus dem West-oestlichen Divan,
datiert auf den 15. September 1815

Copyright: Goethe-Museum Düsseldorf

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Johann Wolfgang von Goethe

Zur Farbenlehre, 1810

Kolorierter Kupferstich nach Goethes Entwurf

Copyright: Goethe-Museum Düsseldorf

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Goethe-Museum Düsseldorf, Schloss Jägerhof

Photo: Dr. Barbara Steingießer

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Mack & Goethe – Taten des Lichts

Photo von Heinz Mack mit Lichtstele: Thomas Höpker
Copyright: VG Bild-Kunst, Bonn 2017

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Press release

Significant events cast long shadows. The major special exhibition explores the relationship between the work of Heinz Mack and the ideas and thinking of Johann Wolfgang von Goethe.

¡BRIGHT!

Centre for International Light Art Unna | Lindenplatz 1 | 59423 Unna; November 25, 2017 – April 8, 2018

Björn Dahlem
Der Mond
Installation Shot
2017
Photo: Frank Vinken

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Björn Dahlem
Milky Way
Installation Shot
2017
Photo: Frank Vinken

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Björn Dahlem
Milky Way
Installation Shot
2017
Photo: Frank Vinken

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Molitor&Kuzmin
Extension
Installation Shot
2017
Photo: Frank Vinken

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Volkhard Kempter
True Lite
2017
Photo: Frank Vinken

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Björn Dahlem
Milky Way
Installation Shot
2017
Photo: Frank Vinken

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Press release

The new exhibition ¡BRIGHT! shows light art installations at a radiant brightness. Making use of pure white light, no matter if they are constructed with neon lights or fluorescent lamps.

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