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PresseLounge
Bilder Texte

Katharina Sieverding: Käthe-Kollwitz-Preis 2017 der ADK

Akademie der Künste | Hanseatenweg 10 | 10557 Berlin; 12. Juli - 27. August 2017

Katharina Sieverding
KUNST UND KAPITAL
2017 (Ausschnitt)
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017
Foto: © Klaus Mettig,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
XVI/80
1980
Peter Dürr, Günter Siebert,
Rainer Giese, Blinky Palermo
Farbfotografie, 375 × 500 cm
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
BOMBENSICHER BUNDESKUNSTHALLE BONN. Die letzten Knöpfe sind gedrückt.
1983
Plakatmappe 11 namhafter Künstler initiiert von der Bürgerinitiative Bonn 1983 zur Unterstützung des Bundeskunsthallenprojekts
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
Deutschland wird deutscher XLI-92
1992
Plakatierung in Berlin vom 30. April bis zum 12. Mai 1993
Fünffarben-Offsetdruck,
351 × 252 cm
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017
© Foto: studio111a

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Katharina Sieverding
DIE PLEITE
2005
Plakatierung in Berlin vom 1. Oktober bis zum 1. Dezember 2005
D/A/C Process, Offset Print,
252 × 360 cm
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017
Foto: © Ulrich Urban,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
GLOBAL DESIRE II
2017
Plakataktion fifty-fifty,
Düsseldorf 2017
Offset Print, 252 × 360 cm
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017
Foto: © Klaus Mettig,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
GLOBAL DESIRE I
2017
Farbfotografie, 260 × 375 cm
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017
Foto: © Klaus Mettig,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
KUNST UND KAPITAL
2017
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017
Foto: © Klaus Mettig,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
ENCODE V
2006
252 × 356 cm
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
ENCODE XI
2006
252 × 356 cm
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
Weltlinie, 1999 – Du Erkennst Nur Die Daten 1999
Edition Staeck
252 × 356 cm
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017

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Katharina Sieverding
XI/78, Schlachtfeld Deutschland, 1978
252 × 356 cm
© Katharina Sieverding,
VG Bild-Kunst, Bonn 2017

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Pressemitteilung

Katharina Sieverding erhält den Käthe-Kollwitz-Preis 2017. Mit der Auszeichnung ehrt die Akademie der Künste eine deutsche Künstlerin, die das Zeitalter der großformatigen Fotokunst einleitete.

KERSTIN HONEIT

Berlinische Galerie | Alte Jakobstraße 124-128 | 10969 Berlin; 28.06. - 24.07.2017.

Kerstin Honeit
my castle your castle
2017
(HD, ProRes / DCP
duration: 14’47’’, language: german, with english subs)
© VG Bild Kunst

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Kerstin Honeit
my castle your castle
2017
(HD, ProRes / DCP
duration: 14’47’’, language: german, with english subs)
© VG Bild Kunst

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Kerstin Honeit
my castle your castle
2017
(HD, ProRes / DCP
duration: 14’47’’, language: german, with english subs)
© VG Bild Kunst

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Kerstin Honeit
pigs in progress
2013
© VG Bild Kunst

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Kerstin Honeit
pigs in progress
2013
© VG Bild Kunst

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Kerstin Honeit
pigs in progress
2013
© VG Bild Kunst

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Kerstin Honeit
talking business
2014
© VG Bild Kunst

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Kerstin Honeit
talking business
2014
© VG Bild Kunst

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Kerstin Honeit
talking business
2014
© VG Bild Kunst

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Pressemitteilung

Im IBB-Videoraum werden Künstlerinnen und Künstler präsentiert, die durch ihren innovativen Umgang mit den Medien Film und Video aufgefallen sind. Die Reihe wird im Juli mit Arbeiten von Kerstin Honeit fortgesetzt.

Winsor & Newton - Residenzstipendium am Künstlerhaus Bethanien in Berlin

Künstlerhaus Bethanien I Kottbusser Straße 10 10999 Berlin; 15. Mai und 15. November 2017

Aneta Kajzer
Ohne Titel
2017
(oil, acrylics and coloured pencils on canvas)
(280 × 200 cm / 110.24 × 78.74 inches)
© the artist

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Aneta Kajzer
Eisbär
2017
(oil, acrylics and gouache on canvas)
(200 × 140 cm / 78.74 × 55.12 inches)
© the artist

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Aneta Kajzer
Ohne Titel
2017
(oil and acrylics on canvas)
(80 × 40 cm / 31.5 × 16.75 inches)
© the artist

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Aneta Kajzer
old white man
2017
(oil and acrylics on canvas)
(97 × 95 cm / 38.19 × 37.4 inches)
© the artist

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Manuel Stehli
ohne Titel
2015
(Öl auf Leinwand)
(170×220cm)
© the artist

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Manuel Stehli
ohne Titel (Tektonik)
2015
(Öl auf Leinwand)
(125×170cm)
© the artist

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Manuel Stehli
Mojave
2016
(Öl auf Leinwand)
(40×50cm )
© the artist

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Manuel Stehli
Wall
2016
(Öl auf Leinwand)
(120×160cm )
© the artist

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Pressemitteilung

Erstmals schreibt die Künstlermarke Winsor & Newton zwei Residenzstipendien im Künstlerhaus Bethanien in Berlin aus. Die diesjährigen Stipendiaten sind Aneta Kajzer und Manuel Stehli.

Arbeiten in Geschichte. Zeitgenössische chinesische Fotografie und die Kulturrevolution

Museum für Fotografie, Jebensstraße 2, 10623 Berlin; 18.08.2017 — 07.01.2018

Zhang Kechun, Menschen queren den Gelben Fluss mit einem Foto von Mao Zedong, Henan, 2012, Tintenstrahldruck, 120 × 147 cm

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Mo Yi Rot, 1985, Farbabzug (2017), 60 × 87 cm © Mo Yi

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Cao Kai Sommer 1969, 2001-2002, HD Edition 2010, DVD (Videostill) © Cao Kai

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Feng Mengbo, Mein privates Album, 1996 Interaktive Installation (Screenshot) © Feng Mengbo

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Hai Bo Sie Nr. 5, 2000, Digitaler Farbabzug, 50 × 130 cm © Hai Bo

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He Chongyue, Das Ende 01 – Eine alternde Bevölke- rung: Die Familienplanungs-Serie, 2010 Tintenstrahldruck, 90 × 225 cm © He Chongyue

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Maleonn, Weiß auf Weiß #2, 2010 Farbabzug, 60 × 90 cm © Maleonn

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Cai Dongdong, Schießübung, 2016 Silbergelatineabzug, Spiegel, 100 × 100 × 100 cm
© Cai Dongdong

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Qu Yan, Hauptquartier im Dorf Wuzhuang, Stadt Tushan, Kreis Pizhou, Provinz Jiangshu, 2005, Farbabzug (2017), 120 × 160 cm © Qu Yan

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Shao Yinong & Mu Chen, Die Versammlungshallen-Serie – Yangzheng, 2003
Farbabzug, 120 × 168 cm © Shao Yinong & Mu Chen

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Song Yong Ping, Neues Leben, 1999 Silbergelatineabzug, 86 × 46 cm © Song Yong Ping

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Song Yong Ping, Neues Leben, 1999 Silbergelatineabzug, 86 × 46 cm © Song Yong Ping

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Song Yong Ping, Neues Leben, 1999 Silbergelatineabzug, 86 × 46 cm © Song Yong Ping

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Wang Ningde, Einige Tage, Nr. 30, 2005 Silvergelatineabzug, 50 × 60 cm © Wang Ningde

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Wang Qingsong, Wettbewerb, 2004, Farbabzug (2017), 300 × 170 cm © Wang Qingsong

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Wang Youshen, Waschen, 2017, Pressefotos, Entwicklerschalen, Wasser, Klammern, Faden, Maße variabel © Wang Youshen

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Zhang Dali, Eine zweite Geschichte 9: 1952 Das erste Sportfest der Nationalarmee, 2005 Farbabzug (2017), 112 × 60 cm © Zhang Dali

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Weng Naiqiang, Der Vorsitzende Mao auf dem Tian’anmen-Platz, 1966 Farbabzug (2017), 100 × 100 cm © Weng Naiqiang

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Fotograf unbekannt, Peking, Tien’anmen-Platz, 1966 Silbergelatineabzug, 5,4 × 4,6 cm © Archiv Günter Karl Bose

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Gestalter unbekannt, Mao Zedong nach
 dem Durchqueren des Yangtze, 1966 Poster, 73,2 × 52,0 cm © Privatsammlung

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Pressemitteilung

Die Sonderausstellung öffnet mit historischen Arbeiten und zeitgenössischen Positionen den Blick auf die Folgen der Kulturrevolution für die aktuelle Kunst- und Fotografie-Szene Chinas.

XXIII. ROHKUNSTBAU

Schloss Lieberose | Brandenburg; 02.07.2017 - 10.09.2017, Pressevorbesichtigung 27.06.2017

Amélie Grözinger
Concordant Array
2017
(Rauminstallation/ Installation)
Courtesy: Amélie Grözinger / DIEHL, Berlin
Photo: Jan Brockhaus © artist and photographer

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Links: Simon English
Gratitude (Vinnie Jones), 2015, (Tusche, Gouache, Akryl und Ölfarbe auf Papier/ ink, gouache and acrylic on paper), 56 × 38 cm.
Rechts: Simon English
I will be Open for you, 2015, Tusche, Gouache, (Akryl und Ölfarbe auf Papier / ink, gouache, acrylic and oil on paper), 56 × 38 cm, Courtesy: Simon English/ DIEHL, Berlin, Foto: Jan Brockhaus © artist and photographer

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Simon English
Setup at Rohkunstbau
2017
(Tusche, Gouache, Akryl auf Paper / ink, gouache and acrylic on paper)
(56×38 cm)
Courtesy: Simon English/ DIEHL, Berlin
Foto: Jan Brockhaus
© artist and photographer

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Jeanno Gaussi
Aus/ from: Imaginary friends
Setup at Schloss Lieberose
2017
(Holz, Baumwolle, Synthetik, Farbe/ Wood, cotton, synthetic, paint)
Courtesy of Jeanno Gaussi/ Galerie koal
Foto: Jan Brockhaus
© artist and photographer

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Jeanno Gaussi
Aus/ from: Imaginary friends
Set up at Schloss Lieberose
2017
(Holz, Baumwolle, Synthetik, Farbe/ Wood, cotton, synthetic, paint)
Courtesy of Jeanno Gaussi/ Galerie koal
Foto: Jan Brockhaus
© artist and photographer

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Jeanno Gaussi
Aus/ from: War Rug Projects
Set up at Schloss Lieberose 2012
(Stoff/ Fabric)
Courtesy of Jeanno Gaussi/ Galerie koal
Foto: Jan Brockhaus
© artist and photographer

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Pélagie Gbaguidi
Naked writing
Aus 73 Werken/ From 73 works 2016 (Farbkohle und Buntstifte auf Papier / color charcoal and color pencil on paper) (29×21 cm)
Courtesy: Pélagie Gbaguidi
Foto: Jan Brockhaus
© artist and photographer

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Pélagie Gbaguidi
Naked writing
Aus 73 Werken/ From 73 works 2016 (Farbkohle und Buntstifte auf Papier / color charcoal and color pencil on paper) (29×21 cm)
Courtesy: Pélagie Gbaguidi
Foto: Jan Brockhaus
© artist and photographer

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Pélagie Gbaguidi Naked writing
Aus 73 Werken/ From 73 works 2016 (Farbkohle und Buntstifte auf Papier / color charcoal and color pencil on paper) (29×21 cm) Courtesy: Pélagie Gbaguidi
Foto: Jan Brockhaus
© artist and photographer

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Pélagie Gbaguidi
Front: Naked writing
Aus 73 Werken/ From 73 works 2016 (Farbkohle und Buntstifte auf Papier / color charcoal and color pencil on paper) (29×21 cm)
Back: 1-54 London
2016
von / from Leslie Emanuel Video, 7,27 Min.
Courtesy: Pélagie Gbaguidi | Sulger Buel Lovell Gallery
Foto: Jan Brockhaus
© artist and photographer

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Ivan Gorshkov Dream Team 2017
(Total-Installation: 3 Skulpturen, gefundene Objekte, Mixed Media; Skulpturen: geschweißtes Eisen, Enamel, Aerosol, Marker / Total installation: sculptures, found objects, mixed media; 3 sculptures: iron, welding, enamel, aerosol, markers)
170 × 100 × 70 cm, 280 × 170 × 100 cm, 80 × 70 × 30 cm
Courtesy: Ivan Gorshkov
Foto: Jan Brockhaus
© artist and photographer

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Ivan Gorshkov Dream Team 2017
(Total-Installation: 3 Skulpturen, gefundene Objekte, Mixed Media; Skulpturen: geschweißtes Eisen, Enamel, Aerosol, Marker / Total installation: sculptures, found objects, mixed media; 3 sculptures: iron, welding, enamel, aerosol, markers)
170 × 100 × 70 cm, 280 × 170 × 100 cm, 80 × 70 × 30 cm Courtesy: Ivan Gorshkov
Foto: Jan Brockhaus
© artist and photographer

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Shahram Entekhabi
Globe
2013
(sequence 1:10 min, HD video, mixed media, installation, 335 min)
Courtesy: Shahram Entekhabi
Foto: Jan Brockhaus
© artist and photographer

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Shahram Entekhabi
My Mother – The History of Iran
2015
(full HD video,
Language: English,
Audio: Dolby Digital,
Runtime: 78:30 min)
Courtesy: Shahram Entekhabi / n.b.k.
Foto: Jan Brockhaus
© artist and photographer

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Shahram Entekhabi
My Mother – The History of Iran
2015
(full HD video,
Language: English,
Audio: Dolby Digital,
Runtime: 78:30 min)
Courtesy: Shahram Entekhabi / n.b.k.
Foto: Jan Brockhaus
© artist and photographer

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Emo de Medeiros
Links:
Surtenture #24 ( ‘ …For the Black Phoenix Shall Rise’) 2017 (Textilarbeit / textile piece) (200×200 cm)
Right:
Surtenture #25 ( ‘ …Not Withstanding The Forces At Hand)
2017 (Textilarbeit / textile piece) (200×200 cm)
Courtesy: Emo de Medeiros and 50 Golborne
© the artist

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Emo de Medeiros
Links:
Surtenture #24 ( ‘ …For the Black Phoenix Shall Rise’) 2017 (Textilarbeit / textile piece) (200×200 cm)
Right:
Surtenture #25 ( ‘ …Not Withstanding The Forces At Hand)
2017 (Textilarbeit / textile piece) (200×200 cm)
Courtesy: Emo de Medeiros and 50 Golborne
© the artist

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Emo de Medeiros
Vodunaut #3 (Hypercharger)
2015
(Motorradhelm, Smartphone, HD-Video / Motorcycle helmet, smartphone, HD video)
(50×40×30 cm)
Courtesy: Emo de Medeiros and 50 Golborne
© the artist

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Tatiana Macedo
I have never seen a refugee camp
2017
(Roter Neon-Text auf Aluminium-Rahmen / Red Neon Text mounted on aluminium frame)
Courtesy: Tatiana Macedo
Foto: Jan Brockhaus
© artist and photographer

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Elmgreen & Dragset
Too Heavy, 2017
(Aluminium, Stoff, Lack / aluminium, fabric, lacquer)
(170 × 170 × 170 cm)
Courtesy: Elmgreen & Dragset/KÖNIG GALERIE
Foto: Jan Brockhaus
© artist and photographer

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Elmgreen & Dragset
Couple, Fig. 14
2016
2 Teile / 2 parts
(MDF, PVC, Aluminium, Edelstahl / MDF PVC, aluminium, stainless steel)
(jedes Board/ each board 220,3 × 48 × 32 cm)
Courtesy: Private Sammlung/ Private Collection / KÖNIG GALERIE
Photo: Jan Brockhaus
© artist and photographer

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Andrew Gilbert
The Royal Palace of Emperor Andrew and his Glorious Cabinet Collection of Exotic Trophies
2017
Installation, Mix Media
Courtesy: Andrew Gilbert/ SPERLING
Photo: Jan Brockhaus
© artist and photographer

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Andrew Gilbert
The Royal Palace of Emperor Andrew and his Glorious Cabinet Collection of Exotic Trophies
2017
Installation, Mix Media
Courtesy: Andrew Gilbert/ SPERLING
Photo: Jan Brockhaus
© artist and photographer

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Andrew Gilbert
The Royal Palace of Emperor Andrew and his Glorious Cabinet Collection of Exotic Trophies
2017
Installation, Mix Media
Courtesy: Andrew Gilbert/ SPERLING
Photo: Jan Brockhaus
© artist and photographer

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Toshihiko Mitsuya
Anonymous Relatives – watcher
2017
(aluminium foil)
(260 × 370 × 135 cm)
Courtesy of Toshihiko Mitsuya
Foto: Jan Brockhaus
© artist and photographer

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Toshihiko Mitsuya
Anonymous Relatives – watcher
2017
(aluminium foil)
(260 × 370 × 135 cm)
Courtesy of Toshihiko Mitsuya
Foto: Jan Brockhaus
© artist and photographer

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Toshihiko Mitsuya
Anonymous Relatives – watcher
2017
(aluminium foil)
(260 × 370 × 135 cm)
Courtesy of Toshihiko Mitsuya
Foto: Jan Brockhaus
© artist and photographer

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Mark Gisbourne
Curator
© Thomas Florschuetz

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Jan Brockhaus
Sicht: Schloss Lieberose
2017
© photographer

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Jan Brockhaus
Sicht: Schloss Lieberose
2017
© photographer

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Pressemitteilung

Im Schloss Lieberose zeigt die Ausstellung XXIII. ROHKUNSTBAU – Die Schönheit im Anderen diesen Sommer zeitgenössische Kunstwerke von 11 internationalen Künstlerinnen und Künstlern.

FOTO-AUGE FRITZ BLOCK. Neue Fotografie - Moderne Farbdias

Alfred Ehrhardt Stiftung | Auguststr. 75 | 10117 Berlin; 24.06.2017 - 10.09.2017

Porträtfoto Fritz Block, Hamburg, 1932
Silbergelatine, 11,7 × 9,7 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Schornstein eines Dampfers, Hamburg, 1929
Silbergelatine, 17,6 × 12,5
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Neue Elbbrücke, Hamburg, 1929
Silbergelatine, 23,0 × 17,2 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Blick vom Kaufhaus Galeries Lafayette
auf den Boulevard Haussmann, Paris, 1930
Silbergelatine, 23,4 × 16,6 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Pont Transbordeur (Schwebebrücke), Marseille, 1931
Silbergelatine, 23,4 × 17,5 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Ballspiel am Strand von Juan-les-Pins, Côte d’Azur, 1931
Silbergelatine, 22,6 × 16,4 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Blick vom Empire State Building auf das Chrysler Building, New York City, 1931
Silbergelatine, 23,4 × 17,5 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Ausrufer auf Coney Island, New York City, 1931
Silbergelatine, 24,0 × 17,6 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Fritz Block
Kraftwerk der Ford-Fabrik in Dearborn, Detroit, 1931
Silbergelatine, 23,7 × 17,7 cm
© Fritz Block Estate Archive, Stockholm/Hamburg

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Pressemitteilung

Mit der Ausstellung “FOTO-AUGE FRITZ BLOCK. Neue Fotografie und Moderne Farbdias” zeigt die Alfred-Erhardt Stiftung erstmals ein repräsentative Retrospektive des deutsch-jüdischen Fotografen.

Internationale Sommerschule Bernau - Bauhaus Denkmal Bundesschule Bernau

14.08.2017 - 26.08.2017 Internationale Sommerschule | c/o Handwerkskammer Berlin | Bildungs- und Innovationszentrum | Wandlitzer Chaussee 40 | 16321 Bernau bei Berlin; 14. August - 26. August

Gym at night
2017
Photo: EBERLE & EISFELD
© EBERLE & EISFELD

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Foyer and dining hall
2017
Photo: EBERLE & EISFELD
© EBERLE & EISFELD

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Glass Corridor
2017
Photo: EBERLE & EISFELD
© EBERLE & EISFELD

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Boarding School Building
2017
Photo: EBERLE & EISFELD
© EBERLE & EISFELD

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Isabella Pasqualini
Course Program 2017
© Isabella Pasquini/ International Summer School Bernau

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Eric Gjerde
Course Program 2017
© Eric Gjerde/ International Summer School Bernau

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Petra Gruber
Course Program 2017
© Petra Gruber/ International Summer School Bernau

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Thibaut de Ruyter
Course Program 2017
© Thibaut de Ruyter/ International Summer School Bernau

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Bill Dietz, Janina Janke & Julie Rüter
Course Program 2017
© Bill Dietz, Janina Janke & Julie/ International Summer School Bernau

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Pressemitteilung

Attraktives Kursprogramm mit Schwerpunkt „Architecture & …“

Joachim Richau ‒ FRAGMENT oder die Gegenwart des Zweifels

ALFRED EHRHARDT STIFTUNG | Auguststr. 75 | 10117 Berlin; 16. September - 23. Dezember 2017

Joachim Richau
STEN RÖD II 2015
© Joachim Richau

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Joachim Richau
BLOCK I
2015
© Joachim Richau

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Joachim Richau
STEN BROTT I
2010
© Joachim Richau

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Joachim Richau
VÄGG IX
2015
© Joachim Richau

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Joachim Richau
SPEGEL I
2015
© Joachim Richau

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Joachim Richau
STEN VIT III
2016
© Joachim Richau

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Joachim Richau
SPÅR VITT II
2016
© Joachim Richau

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Pressemitteilung

Seit den frühen 2000er Jahren beschäftigte sich der Ostberliner Fotograf Joachim Richau verstärkt mit der schwedischen Landschaft, wo der Zyklus FRAGMENT oder die Gegenwart des Zweifels entstand.

MOMENTUM 9: ALIENATION THE 9TH NORDIC BIENNIAL OF CONTEMPORARY ART

Gallery F 15 and MOMENTUM Kunsthall | Moss, Norway; 17.06.2017 - 11.10.2017

Abigail DeVille
Invisibility Blues

Installation, 2016

Photo by Ginevra Shay
Courtesy the artist

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Atelier Cyberspace
Untitled

Collage, 1968-1970

Courtesy Carsten Hoff

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Búi A ðalsteinsson
Fly Factory

Stainless-steel, fibre glass, electric light,
soil, plants, black soldier flies, larvae and
larvae paté, 170×150× 80cm, 2014

Courtesy the artist

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H.R. GIGER,
Harkonnen-Capo chair, 1983.

Courtesy H.R. Giger Estate.

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Jenna Sutela
Gut-Machine Poetry, 2017

Photo by Mikko Gaestel
Courtesy the artist

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Johannes Heldén
Encyclopedia

Writing, 2015-2016

Courtesy the artist

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John Duncan
Scare, 1976

Photograph

Courtesy the artist

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Jone Kvie
Untitled (Carrier), 2006

Car paint on bronze

Photo by Anders Sune Berg
Courtesy the artist

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Jussi Kivi
Moonwoods, 2017

Detail of an installation

Courtesy the artist

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KAPWANI KIWANGA,
AFROGALACTICA:
A BRIEF HISTORY OF THE FUTURE.

Performance: live reading with
video projection, 2012 – ongoing.

Courtesy the artist and
Galerie Tanja Wagner, Berlin.

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KJERSTI VETTERSTAD

No Maps for These Territories, 2012
Video, 07”47 min

Courtesy the artist

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Levi van Veluw
Workspace II, 2016

Walnut wood, black ink, coal,
103 ×140 ×65cm

Courtesy the artist

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Linda Persson
Opalstone, 2017

Still from a video

Courtesy the artist

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Mediated Matter
Synthetic Apiary

Honeybee hive installation in the Synthetic
Apiary environment, 2016

Photo by The Mediated Matter Group
Courtesy The Mediated Matter Group

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Museum of Nonhumanity

Installation view at Suvilahti, Helsinki,
2016

Photo by Terike Haapoja
Courtesy Museum of Nonhumanity

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Olga Bergmann and Anna Hallin
The Pink Era

Site-specific installation in the coastal town
of Gar ður, Iceland, concrete, wood, string,
dirt, 2012

Courtesy the artists

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Patricia Piccinini
Atlas

Silicone, fiberglass, human hair and car
paint, 84×54×50cm, 2012

Courtesy the artist

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Patrick Jackson
House of Double

Detail of site-specific installation, 2011

Courtesy the artist

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Pinar Yoldas
Ecosystem of Excess

Detail of an installation, 2014

Courtesy the artist

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Public Dreaming

Sleep Structure, 2016

Courtesy Public Dreaming

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Ragnar Þórisson
Untitled

Oil on canvas, 200×170cm, 2012

Courtesy the artist

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Rolf Nowotny
CONKCLOACA

Installation, 2016

Courtesy the artist

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Serina Erfjord
Among Stars

Installation, 2014

Courtesy the artist

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Sonja Bäumel
Fifty Percent Human

Detail of an installation, 2016

Courtesy the artist

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Stathis Tsemberlidis
Transmutations of Human Bodies

Drawing, 2015

Courtesy the artist

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Third Ear Podcast
Logo
Courtesy Third Ear

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Trollkrem

Performance documentation by
Istavan Virag, 2016

Courtesy Trollkrem

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Wael Shawky

Cabaret Crusades: The Path to Cairo

HD video, color, sound, 58min, 2012

Courtesy the artist and Sfeir-Semler
Gallery Berlin/Hamburg

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Ylva Westerlund
The new hird, 2017
Sulfate 3000, 2016
Courtesy the artist

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MOMENTUM 9: ALIENATION

Visual identity designed by
Tuomas Kortteinen and Heikki Lotvonen

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Pressemitteilung

Since its inception in 1998, MOMENTUM has strived to present compelling works of art and outstanding artistic ventures in Norway and the Nordic context.

Luther und die Avantgarde

ZUSÄTZLICHES BILDMATERIAL UNTER: http://gallery.artpress-uteweingarten.de/ || TRAILER: http://bit.ly/2rwhmcM || Altes Gefängnis, Berliner Straße, 06886 Lutherstadt Wittenberg | St. Matthäus-Kirche, Matthäikirchplatz, 10785 Berlin | Karlskirche, Karlsplatz, 34117 Kassel; 18.05.2017 - 17.09.2017

Keyvisual
Luther und die Avantgarde
Art-Design: von Mannstein nach einer Kunstaktion von Bazon Brock

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Außenansicht / Exterior view
Das alte Gefängnis in
Lutherstadt Wittenberg / The Old
Prison in Luther City Wittenberg
Werk / work by Manuel Graf
2017
Photo Daniel Biskup

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Außenansicht I Exterior view
Das alte Gefängnis in
Lutherstadt Wittenberg I The Old
Prison in Luther City Wittenberg
Werk I work by Achim Mohné
2017
Photo Daniel Biskup

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Zelle
Altes Gefängnis Wittenberg
Foto: Daniel Biskup

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St. Matthäus-Kirche
Foto: Jens Bösenberg
2015

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Karlskirche Kassel
Foto: medio.tv/Schauderna

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robotlab
bios [bible], 2007
Roboterinstallation | robot
installation,
6 × 3 × 1,5 m;
Courtesy of the artist
Photo Daniel Biskop

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Miao Xiaochun
Zero Degree Doubt
2013
Acryl auf Leinen, 150 × 150 cm.
© Miao Xiaochun

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Assaf Gruber
Die Berufung (The Calling), 2016/17
Video / DCP, Farbe, 17 min | video / DCP, colour, 17 min; 14:59 min.
Still image
Courtesy of the artist

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Jia
The Chinese Version, 2016
Klebefolie auf Wand, Maße variabel | adhesive film on wall, dimensions variable;
Courtesy of the artist
Photo Daniel Biskup

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Ulrike Kuschel
M.L. #1, 2017
© Ulrike Kuschel, Berlin / VG Bild-Kunst, Bonn 2017

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Johanna Reich
Resistance (Clara mit Simone de
Beauvoir), 2016/17
10 Plakatmotive auf Litfaßsäule |
10 poster motifs on advertising
column
© VG Bild-Kunst, Bonn 2017

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Jonathan Meese
inmitten seiner Arbeit | midst his work
ERZTARZAN’S ZELLE, DIE 95 KUNSTTHESEN DESTEUFELS ALASKA KIDADDY MACHT DAS RENNEN „K.U.N.S.T.“ (M.E.E.S.E. IST JOHNNY SINCLAIR), 2017
Mischtechnik, Maße variabel | mixed media, dimensions variable
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Julian Rosefeldt
Asylum, 2001/2002
Video
© Julian Rosefeldt und VG Bild-Kunst, Bonn

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Luise Schröder,
Gedenktafel „Im Gedenken an den Generalstreik der Frauen Wittenbergs am 4. Mai 1987”
2017
Photo Daniel Biskup

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Marzia Migliora
Schuld, 2017
Schließfächer, Messingleiter, Spiegel, Barrisol | deposit boxes, brass ladder, mirror, Barrisol, ortsspezifische
Installation | site-specific installation;
Courtesy of Lia Rumma Gallery Milan | Naples Photo Daniel Biskup

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Olya Kroytor
Performance auf Holzstamm | performance on wooden trunk;
Courtesy of the artist
Photo Daniel Biskup

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Elger Esser
Combray (Ambierle), 2012
Heliogravur auf Büttenpapier |
photogravure on
handmade paper, je | each 117 × 133 × 6
cm (gerahmt | framed);
© Elger Esser / VG Bild-Kunst, Bonn
2017
Courtesy Galerie Kewenig, Galerie
Thaddaeus Ropac

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Sebastian Riemer
DSSQ, 2011
C-Print_Ed5 2AP
84×84cm
© Sebastian Riemer

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Shilpa Gupta
I keep falling at you, 2010/2017
Klangskulptur, Mikrofone, Lautsprecher, Mehrkanalton
Installation
ca. 380×130×200 cm
© Shilpa Gupta

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Sun Xun
Bei der Arbeit an | working on
Protestant, 2017
Wandmalerei, Objekte | wall
painting, objects, ortsspezifische
Installation | site-specific
installation;
© artist / courtesy of ShanghArt Gallery
Photo Daniel Biskup

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Stephan Balkenhol
Nackter Mann, 2017
Zedernholz, farbig gefasst | cedar
wood, painted, 179 × 87 × 45 cm
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Yury Kharchenko
Haus 1, 2016
Öl auf Leinwand | oil on canvas,
100 × 80 cm; Courtesy of the artist Photo Daniel Biskup

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Monica Bonvicini
Bent in Shape (Detail), 2017
Teil der Gesamtinstallation | part
of the larger installation Erhellung,
2017 Neonröhren, Seil, Kabel, Stahlgestell | fluorescent tubes, rope, cable,
steel frame, ca. 100 × 180 × 40 cm;
Courtesy of the artist and König
Galerie, Berlin and Galerie Peter
Kilchmann, Zurich
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Adrian Ghenie
o.T., Detail, 2017
Collage auf Papier | collage on paper,
33,5 × 29,2 cm;
Courtesy of the artist and Galerie
Thaddaeus Ropac,
Salzburg – Paris
Photo Daniel Biskup

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Gilbert & George vor der St. Matthäus-Kirche Berlin. Foto: Daniel Biskup.

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Gilbert & George: ASTRO STAR 2013, aus der Serie „SCAPEGOATING PICTURES
© Gilbert & George

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Erwin Wurm
Boxhandschuh, 2016
Bronzeguss, patiniert | bronze
cast, patinized, 146 × 130 × 125 cm
© VG Bild-Kunst, Bonn 2017 / courtesy of Studio Erwin Wurm
Photo Daniel Biskup

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Christian Jankowski
Casting Jesus, 2011
Two-channel video
Courtesy the artist and Lisson Gallery, London

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Logo
Luther und die Avantgarde
Art-Design: von Mannstein nach einer Kunstaktion von Bazon Brock

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Olaf Metzel
Luther rauf und runter, 2017
Aluminium, Edelstahl, Digitaldruck |
aluminium,
stainless steel, digital print, 670 × 130 x
140 cm;
Courtesy of the artist
Photo Daniel Biskup

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Christian Boltanski
Coeur, 2005
Schwarz bemaltes Glas, schwarzer
Karton, schwarzes Klebeband,
Glühbirne und Elektrokabel;
technische Anlage mit Herzklopfgeräuschen;
60 Spiegel unterschiedlicher
Größe, Installation, Maße
variabel | black-painted glass, black
paperboard, black tape, lamp,
electrical cable; technical equipment
with the sound of heartbeats; 60
mirrors of various sizes; installation,
dimensions variable;
Courtesy Christian Boltanski and
Kewenig Berlin | Palma
Photo Daniel Biskup

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Markus Lüpertz
Eiferer, 2017
Bemalter Gips | plaster, painted,
170 × 60 × 66 cm;
Courtesy of the artist
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Michael Sailstorfer
Mückenhaus, 2012
Straßenlampe, Aluminium, Moskitonetz, Farbe, Elektrizität | street lamp, aluminium, mosquito net, paint, electricity, 200 × 120 × 145 cm (Haus | house);
Courtesy: Michael Sailstorfer + König Galerie
Photo Daniel Biskup

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Xu Bing
Book from the Ground, seit | since
2003
(fortlaufend | ongoing) Mischtechnik |
mixed media, 142,2 × 119,4 × 104,1 cm;
Courtesy of the artist
Photo Daniel Faró

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Achim Mohné
0,000672 Megapixel – Citizen To be SeenFrom Mars, 2017
Bodenarbeit, 12 × 14 m, 672 Betonplatten, 11 Grautöne | floor piece, 12 × 14 m, 672 concrete slabs, 11 tones of grey;
Courtesy of the artist and VG Bildkunst, Bonn
Photo DroneBrothers, Berlin

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Thomas Huber
o.T., 2017
Öl auf Leinwand | oil on canvas,
80 × 60 cm;
Besitz des Künstlers | Property of the
artist
Photo Daniel Biskup

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Ai Weiwei
man in a cube, 2017
Beton, 2-teilig | concrete block in
two parts, je | each
150 × 105 × 52,1 cm;
© artist
Photo Daniel Biskup

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Juergen Staack
Script, 2013/2017
Installation, Performance, Script-
Leinwände in verschiedenen
Sprachen, Monitore | installation,
performance, script-canvases in
various languages, monitors,
ortsspezifische Installation | sitespecific
installation;
Courtesy of the artist and Konrad
Fischer Gallery
Photo Juergen Staack

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Trailer zur Ausstellung unter: https://www.youtube.com/watch?v=rPehZxeSTIg&list=UUGKGltxHKNIEhsbI0tcVOhA&index=1

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Pressemitteilung

In der Ausstellung begegnen sich der Reformator als Vordenker und Avantgardist seiner Zeit und aktuelle Kunst…

Mike Bourscheid – Thank you so much for the flowers

Venedig Biennale I Pavillon von Luxemburg I 57. Internationale Kunstausstellung; 13.05 - 26.11. 2017

Mike Bourscheid, Thank you so much for the flowers, 2017.
Copyright Mike Bourscheid.
Production photo 2017

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Mike Bourscheid, The Goldbird Variations, Sculpture, performance, audio, 2016. Realised with the support of L’Œil de Poisson, Québec.
Courtesy the artist

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Mike Bourscheid, The Goldbird Variations, Sculpture, performance, audio, 2016. Realised with the support of L’Œil de Poisson, Québec.
Courtesy the artist

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Mike Bourscheid, So stell ich mir die Liebe vor, Sculpture, performance, vinyl album, 2015.
Courtesy the artist

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Mike Bourscheid, The wellbeing of things: a 5 km race, video still, 2017. Courtesy the artist.

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Mike Bourscheid, The Oracle (working title), 2017.
Copyright Mike Bourscheid.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia. Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view
Mike Bourscheid – Thank You so much for the flowers 2017. 57th International Art Exhibition – La Biennale
Di Venezia.
Copyright Mike Bourscheid.
Photo: Mike Bourscheid.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so Much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Casino Luxembourg.

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Mike Bourscheid – Thank you so Much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Casino Luxembourg.

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Pressemitteilung

Mike Bourscheid wird das Großherzogtum Luxemburg auf der
57. Kunstbiennale in Venedig, der Biennale di Venezia, mit der
Ausstellung Thank you so much for the flowers vertreten.

SLATER B. BRADLEY: SUNDOOR AT WORLD’S END

La Maddalena (Kirche der Maria Magdalena) | Campiello Maddalena, 30121 Venice; 11. Mai - 26. Nov

Slater Bradley
In5Dcubation Lightbody Shield, 2015
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Private Collection Berlin, Courtesy of Slater Bradley Studio, Berlin
and Sprüth Magers
© Slater B. Bradley

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Slater Bradley
4DCC Manik Wave Shield, 2015
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Collection of Nico
Wollenberg, Courtesy of Slater Bradley Studio, Berlin
© Slater B. Bradley

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Slater Bradley
Solar6 Gate Wave Shield, 2015
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Collection of Tilman
Kriesel, Courtesy of
Slater Bradley Studio, Berlin
© Slater B. Bradley

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Slater Bradley
Ninth Wave Solar Shield, 2016
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Glass
UV 92, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Courtesy of Slater Bradley Studio, Berlin and Galeria Filomena Soares, Lisbon
© Slater B. Bradley

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Slater Bradley
Galactic Octave Wave Shield, 2016
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Private Collection Berlin, Courtesy of Slater Bradley Studio, Berlin
and Sprüth Magers
© Slater B. Bradley

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Pressemitteilung

Anlässlich der 57. Internationalen Kunstausstellung, la Biennale di Venezia, freut sich Zuecca Projects “Sundoor at World’s End”, eine Ausstellung des amerikanischen Künstlers Slater B. Bradley zu präsentieren.

MIKA TAANILA: Gruppenausstellung ‘Mirrored’ – 57. Biennale di Venezia und ‘The Earth Who Fell To Men’ – Salon Dahlmann

57. Biennale di Venezia | Nordischer Pavillon + Salon Dahlmann | Concierge Room | Marburger Straße 3 | 10789 Berlin + Balzer Projects | Wallstraße 10 | 4051 Basel; 13. Mai - 26 Nov + 09. Juni – 26. August 2017

Mika Taanila
The Man Who Fell to Earth (profile), 2017
prepared cinema book photo by Nici Jost

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Mika Taanila
The Man Who Fell to Earth (profile), 2017 prepared cinema book
photo courtesy balzer
projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzerprojects

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Mika Taanila, The Earth Who Fell to Man, 2017
Video Still
Courtesy of Mika Taanila and balzer projects

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Mika Taanila
Brushes, 2017
prepared cinema book
photo by Johnny Korkman

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Mika Taanila
Curtains, 2017
prepared cinema book
photo by Johnny Korkman

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Mika Taanila
The Beast, 2017
prepared cinema book
photo by Johnny Korkman

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Pressemitteilung

Künstler und Filmemacher Mika Taanila ist einer von sechs Künstlern, die gegenwärtig im Nordischen Pavillon auf der 57. Biennale in Venedig vertreten sind.

Jonas Burgert - ZEITLAICH

BlainISouthern I Postdamer Str. 77 - 87 I 10785 Berlin; 29. April - 29. Juli 2017

Jonas Burgert
Dachte Sie
2016
Öl auf Leinwand / Oil on canvas
240 × 180 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
ein Mut
2017
Öl auf Leinwand / Oil on canvas
240 × 180 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
trag früh
2017
Öl auf Leinwand / Oil on canvas
240 × 180 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
Nachtag
2016
Öl auf Leinwand / Oil on canvas
240 × 300 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
Mutsud
2016
Öl auf Leinwand / Oil on canvas
240 × 300 cm
Courtesy the artist and Blain|Southern
Photo Lepkowski Studios

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Jonas Burgert
Work in Progress
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress (detail)
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress (detail)
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress (detail)
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
Work in Progress
2017
Courtesy the artist and Blain|Southern
Photo Lepowski Studios

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Jonas Burgert
ZEITLAICH
2017
Oil on canvas, 6 × 22m,
Courtesy the artist and Blain|Southern,
Photo Lepkowski Studios

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Pressemitteilung

Blain|Southern präsentiert Jonas Burgerts Ausstellung “ZEITLAICH”.

SOCLE DU MONDE BIENNALE 2017

Birk Centerpark 8 - 7400 Herning; 22. April - 27. August 2017 Eröffnung: 21. April 2017

Otto Piene, Hommage Moholy Nagy, 2009

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Piero Manzoni, Achrome, 1961, Photo by
Gunnar Merrild, Courtesy of HEART

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Günther Uecker, Kosmische Visionen (5 Lichtscheiben),
1961-81, Privatsammlung, Düsseldorf

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Yves Klein, Monochrome Orange sans titre
(M 111), 1955 © Ahlers Collection

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Conrad Shawcross, The ADA Project, 2013 © MONA -Museum of Old and New Art, Tasmania

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Mahsa Karimizadeh, Blood rooted, 2008,
photo courtesy of the artist

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Weisse Nepix, 2009, Schlosspark Moers Germany, Photo by Keisuke
Matsuura

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Piero Manzoni with Merda d’artista 1961.
Photo: Ole Bagger. Courtesy of HEART

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Wim Delvoye, Slobodan, 2004 © photo courtesy of the artist

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Spencer Tunick, Socle du Monde (Herning,
Denmark) 2016, Courtesy of the artist

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Spencer Tunick , Moscow, Russia (Smolensky
Boulevard) 2009, Courtesy of the artist

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Charlés Freger, Caretos de Lazarim,
Photographic Series: WILDER MANN,
2011, Portugal © Charles Fréger

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Carl-Henning Pedersen, Yellow-Black Mask Picture (1947)
© Carl-Henning Pedersen & Else Alfelts Museum

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Detail: Installation Theatre du Monde,
Museum for Old and New Art,
MONA, Hobart

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Detail: Installation Theatre du Monde,
Museum for Old and New Art,
MONA, Hobart

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Koen Vanmechelen, Installation view, La Biomista -Cosmopolitan Chicken Project, GLOBALE, ZKM | Center
for Art and Media, Karlsruhe (DE), 2015

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Chiharu Shiota, A Long Day, 2015, K21 – Kunstsammlung NRW, Düsseldorf, Germany.
Photo: Sunhi Mang © VG Bild-Kunst

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Rirkrit Tiravanija, The Land, 2004, photo by Francesca
Grassi, courtesy of the artist

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HEART – Herning Museum of Contemporary Art, Denmark
Photo: Iwan Baan

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Piero Manzoni, Socle du Monde, 1961.
Photo: Ole Bagger. Courtesy of HEART.

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Oliver Beer, Outside In, 2013
© Tadzio Fondation Hermes

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Carl-Henning Pedersen & Else Alfelts
Museum. Photo: Mikael Lykke Madsen
Courtesy of the museum.

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Aerocene Explorer, 2016
© Photography by Studio Tomás Saraceno, 2016

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Area around HEART. Photo: Iwan Baan.
Courtesy of HEART

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Photo and Courtesy: Carl-Henning
Pedersen & Else Alfelts Museum

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Ingvar Cronhammar, Elia, 2001.
Foto: Ole Jørgensen

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Geometrical Garden, Herning, Denmark.
Photographer unknown.

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HEART – Herning Museum of
Contemporary Art, Denmark,
Photo: Steen Gyldendal

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Super Cloaca, 2007. Wim Delvoye at MUDAM Luxembourg. Courtesy of the artist.

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Pressemitteilung

HEART – Herning Museum für zeitgenössische Kunst lädt Sie herzlich ein an der 7. Socle du Monde Biennale im Frühjahr 2017 teilzunehmen!

International Light Art Award

PREISVERLEIHUNG; 21.04.2017

Logo ILAA

© Zentrum für Internationale Lichtkunst Unna

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Preisträger: Satoru Tamura
2017
© Frank Vinken

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Preisverleihung 2017
© Frank Vinken

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Preisverleihung Bild 2
2017
© Frank Vinken

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Preisverleihung Bild 3
2017
© Frank Vinken

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Lüster
Skizze für Lichtkunszentrum
Unna
2016
© Tilman Küntzel

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Lüster Detail
2017
© Tilman Küntzel

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Tilman Küntzel – Audiovisuelle
Rauminszenierung mit Lüster
2017
© Frank Vinken

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Audiovisuelle Rauminszenierung
mit Lüster- Detail
2017
© Frank Vinken

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Audiovisuelle Rauminszenierung
mit Lüster
2017
© Frank Vinken

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Point of Contact for Unna
2017
© Frank Vinken

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Point of Contact mit Satoru
Tamura
2017
© Frank Vinken

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Point of Contact mit Satoru
Tamura
2017
© Frank Vinken

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‘Echo, turning the light around’
2017
Centre for International Light Art
Unna
© Vroegop/Schoonveld

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‘Echo, turning the light around’
2017
© Frank Vinken

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‘Echo, turning the light around’
mit Vroegop/ Schonveeld
2017
© Frank Vinken

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‘Echo, turning the light around’
mit Vroegop/ Schonveeld
2017
© Frank Vinken

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‘Echo, turning the light around’
2017
Centre for International Light Art
Unna
© Vroegop/Schoonveld

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James Turrell: Third Breath
(2009)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Keith Sonnier: Tunnel of Tears
(2002)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Jan Van Muster: Ich [im Dialog]
(2005)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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John Jaspers
Direktor des Zentrums für
Internationale Lichtkunst Unna
(vor der Installation des
Künstlers Joseph Kosuth)
© www.frankvinken.com

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James Turrell: Floater 99
(1999/2001)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Ólafur Elíasson: Der
reflektierende Korridor, Entwurf
zum Stoppen des freien Falls
(2002)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Joseph Kosuth: Die Signatur des
Wortes [Licht und Finsternis]
(2001)
Sammlung des Zentrums für
Internationale Lichtkunst Unna
© www.frankvinken.com

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Pressemitteilung

Die Finalisten für den International Light Art Award (ILAA) stehen fest: Tilman Küntzel (Deutschland), Satoru Tamura (Japan) sowie das Duo Vroegop/Schoonveld (Niederlande)

Perspektive 2017

Deutschland / Frankreich; Vom 01. Oktober bis zum 01. Dezember 2016 können Projekte eingereicht werden

Porcelain Filter
(Project Foreign Objects)

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Ingo Duennebier
(Project: Form Follows Aktion)

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La Galerie, Noisy-le-Sec, vue aérienne (Projekt : La Presse)

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Niche : L’Espace Feminin, Dinner-Talks (Projekt : Making Spaces)

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Moritz Simon Geist : Sonic Robots
(Project: Remembering the Future)

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Visual Perspektive French
Copyright: Perspektive, Bureau des arts plastiques

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Visual Perspektive German
Copyright: Perspektive, Bureau des arts plastiques

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Candice Lin, System for a
Stain, 2016, mixed
media. Commissioned by
Gasworks. Courtesy of
the artist

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Parasite space
Copyright: Brad Downey
& Diego Sologur

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District Kunst und
Kulturförderung
Copyright: District Kunstund Kulturförderung
GmbH

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Niche dîner discussio“ Copyright: Niche Berlin

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Bellastock
Copyright: Association Bellastock

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Pressemitteilung

Perspektive richtet sich an öffentliche und private Einrichtungen im Bereich der zeitgenössischen Kunst und Architektur in Deutschland und Frankreich.

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