ARTPRESS bietet strategische Kommunikation und individuelle Vernetzung von Projekten der Bildenden Kunst, Fotografie, Architektur und Musik.

PresseLounge
Bilder Texte

SERKAN OZKAYA We Will Wait

postmasters | 54 franklin street | nyc 10013; 21. Oktober – 25 November 2017

Serkan Ozkaya
We Will Wait
2017.
Photo illustration by Brett Beyer and Lal Bahcecioglu.

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Pressemitteilung

Postmasters is thrilled to present Ozkaya’s recreation, entitled We Will Wait. The room-sized installation will be shown in a never-before-seen or accessible space.

DUESSELDORF PHOTO

Düsseldorf; 16. bis 25. Februar 2018

Akram Zaatari
A Photographer’s Imagination
2017

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Akram Zaatari
On Photography
Dispossession and Times of Struggle
2017

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Barbara Karsten
Composition 7D, 7E, 7T
2017

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Hermann Laupsien
1910 – 2007
Bernard Langerock, Licht-Collage/Fotografie
2017

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Corina Gertz
Deutsche Tracht 04
2010

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Louise Dahl-Wolfe
A Style of her own
Museum of Modern Art, Looking at Matisse
ca. 1940

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Uffe Isolotto & Sixten Starck,
Pixxa Splice, 2013

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Pressemitteilung

Mit DUESSELDORF PHOTO startet im Februar 2018 eines der größten Fotofestivals Deutschlands, mit rund 30 Museen, Kulturinstitutionen, Hochschulen, Galerien und Projekträumen.

BRUSSELS–BERLIN… A ROMANCE

9.10. 2017 | 18.00 - 20.00 Uhr; Belgische Botschaft | Jägerstraße 52–53 | 10117 Berlin

Exhibition
Jonathan Muecke at Juliaan
Lampens’ Van Wassenhove House
2016
Courtesy: MANIERA
Photo: Filip Dujardin

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Richard Venlet
Daybed Wolfers
2015
Courtesy: MANIERA
Photo: Adriaan Tas

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Studio Mumbai
Rush Chair
2016

Courtesy: MANIERA
Photo: Filip Dujardin

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Rug:
Christoph Hefti
Hands, Catching
2017

Table:
Christ & Gantenbein
Athens Series
2017

Courtesy: MANIERA
Photo: Christian Kahl

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Exhibition
Corners
OFFICE Kersten Geers, Trix + Robert Haussmann & Bas Princen
2017

Courtesy: MANIERA
Photo: Maxime Prananto

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Jonathan Muecke
LWC (Low Wooden Chair)
2016

Courtesy: MANIERA
Photo: Maxime Prananto

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NIYONA interior studio

Courtesy: NIYONA
Photo: Geert De Taeye

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Capes NIYONA
In collaboration with Maxime Leroy

Courtesy: NIYONA
Photo : Niyona

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Under base
For chief Jeremy Girvan de GJ Cook.

Courtesy: NIYONA
Photo : Niyona

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Het Beest
Niyona in collaboration with Von zadig

Courtesy: NIYONA
Photo : Niyona

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Blade Guards
For Florentine Kitchen Knives

Courtesy: NIYONA
Photo : Niyona

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Petanque ball Jean & Fanny
In collaboration with Vervloet, Jean- François D’Or

Courtesy: NIYONA
Copyright: Vervloet

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Bénédicte Bantuelle

Courtesy: Studio La Bouche
Photo: Oskar

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Sweet Dreams
Set Design / Food stylism
2016

Courtesy: Studio La Bouche
Photo: Christian Jimenez

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Bread
Set Design
2015

Courtesy: Studio La Bouche
Photo: Frédérique Raevens

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Reflexions
Set Design
2015

Courtesy: Studio La Bouche
Photo: Oskar

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Ice cream
Set Design/Food stylism
2016

Courtesy: Studio La Bouche
Photo: Marc Paeps

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Le Festin Originel
Culinaria
2014

Courtesy: Studio La Bouche
Photo: Melopapille et Nicolas Buisson

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Le Festin Originel
Culinaria
2014

Courtesy: Studio La Bouche
Photo: Melopapille et Nicolas Buisson

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Dimitri Jeurissen
Base Design

Photo: Lydie Nesvadba

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Fabien Jean Villanueva
Base Design

Photo: Lydie Nesvadba

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Amaryllis Jacobs and Kwinten Lavigne
Maniera

Photo: Jef Jacobs

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Jonathan Wieme and Nina Bodenhorst
Niyona

Photo: Geert De Taeye

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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MAD

Courtesy: MAD
Photo: Maxime Delvaux ©

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Pressemitteilung

Im Kontext der Brussels Days, lädt die Agentur MAD – Brussels’ Fashion and Design Platform – ein zu einem Abend rund um Mode und Design. Einer partizipatorischen, offenen Diskussion über Brüssels Kreativszene, folgt ein einzigartiges Food-Design Erlebnis.

ERÖFFNUNG UND VERLEIHUNG DES WILHELM-LEHMBRUCK-PREISES 2017 AN REBECCA HORN

Lehmbruck Museum, Friedrich-Wilhelm-Straße 40, 47051 Duisburg; 24.11.2017-2.4.2018

Rebecca Horn
Der Schildkröten-seufzerbaum, Installation, 1994, Dimensionen variabel, Copper tubes, copper funnels, glass funnels, sound equipment,stone, metal construction, electronics, motor, Photo credits: Attilio Maranzani, © VG Bild-Kunst, Bonn 2017

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Rebecca Horn
Tanz in einer Pirouette, Skulptur, 2017, 300 × 300 × 313cm, Messingscheiben, Messingstäbe, Stahl, Elektronik, Motoren, Photo credits: Gunter Lepkowski, © VG Bild-Kunst, Bonn 2017

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Rebecca Horn
Hauchkörper, Skulptur, 2017, 600 × 300 × 362 cm, Messingstäbe, Stahl, Elektronik, Motoren, Photo credits: Gunter Lepkowski, © VG Bild-Kunst, Bonn 2017

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Rebecca Horn
Hauchkörper (Detail), Skulptur, 2017, 600 × 300 × 362 cm, Messingstäbe, Stahl, Elektronik, Motoren, Photo credits: Dejan Saric, © VG Bild-Kunst, Bonn 2017

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Rebecca Horn
Aus dem Mittelalter entwurzelt, Skulptur, 2017, 150 × 150 × 232 cm, Schuhe gegossen in Bronze, 2 Messinstäbe, Stahl, Elektronik, Motoren, Photo: Gunter Lepkowski, © VG Bild-Kunst, Bonn 2017

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Rebecca Horn
Amore Continental, Skulptur, 2008, 240 × 40 × 50 cm, type writing machine “Continental” steel letters, steel sticks, controler, electronic, lamp for installation, Photo: Dejan Saric, © VG Bild-Kunst, Bonn 2017

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Pressemitteilung

Der Wilhelm-Lehmbruck-Preis wird dieses Jahr an Rebecca Horn verliehen und damit erst-malig an eine Frau. Neben zentralen Arbeiten ihres Oeuvres werden neueste Werke aus 2017 zum ersten Mal der Öffentlichkeit präsentiert: die „Hauchkörper“.

Emmanuel Tussore - Study for a soap

13.10.2017 - 23.11.2017; Benhadj&Djilali | Torstraße 170 | 10115 Berlin

Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Study for a Soap, 2017
Installation shot at Benhadj Djilali gallery
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, For Sale, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, For Sale, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, For Sale, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, For Sale, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, For Sale, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, For Sale, 2017
Installation shot at Benhadj Djilali gallery, Berlin
© Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Emmanuel Tussore
Aleppo Soap, Home, 2017 © Emmanuel Tussore

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Pressemitteilung

Mit Study for a Soap präsentiert Emmanuel Tussore seine erste Einzelausstellung in Deutschland. Das Werk ist Teil seines laufenden Projekts Aleppo Soap, welches der ältesten Seife der Welt gewidmet ist.

Joachim Richau ‒ FRAGMENT oder die Gegenwart des Zweifels

ALFRED EHRHARDT STIFTUNG | Auguststr. 75 | 10117 Berlin; 16. September - 23. Dezember 2017

Joachim Richau
STEN RÖD II 2015
© Joachim Richau

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Joachim Richau
BLOCK I
2015
© Joachim Richau

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Joachim Richau
STEN BROTT I
2010
© Joachim Richau

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Joachim Richau
VÄGG IX
2015
© Joachim Richau

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Joachim Richau
SPEGEL I
2015
© Joachim Richau

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Joachim Richau
STEN VIT III
2016
© Joachim Richau

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Joachim Richau
SPÅR VITT II
2016
© Joachim Richau

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Pressemitteilung

Seit den frühen 2000er Jahren beschäftigte sich der Ostberliner Fotograf Joachim Richau verstärkt mit der schwedischen Landschaft, wo der Zyklus FRAGMENT oder die Gegenwart des Zweifels entstand.

Andreas Mühe - Pathos als Distanz

Buchpräsentation: 5. September 2017; Galerie carlier|gebauer l Markgrafenstraße 67 l 10969 Berlin

Andreas Mühe
Cover Katalog: Zugspitze Deutschland
2013
Aus der Serie A.M.- Eine Deutschlandreise
© Andreas Mühe

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Andreas Mühe
Friede II (Fürstin Charlene von Monaco und Friede Springer)
2011
Aus der Serie Friede Springer
© Andreas Mühe

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Andreas Mühe
Jagdhaus Honecker
2016
© Andreas Mühe

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Andreas Mühe
Honeckers Jagdkammer
2016
© Andreas Mühe

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Andreas Mühe
F.C. Gundlach Treppe
2016
Aus der Serie F.C. Gundlach
© Andreas Mühe

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Andreas Mühe
Empfang Antonio Puri Purini, Italienische Botschaft
2017
© Andreas Mühe: VG Bild-Kunst, Bonn 2017

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Andreas Mühe
Die Familie
2011
Aus der Serie 28 Stunden USA
© Andreas Mühe: VG Bild-Kunst, Bonn 2017

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Andreas Mühe
Angela Merkel Portrait
2009
Aus der Serie Angela Merkel
© Andreas Mühe: VG Bild-Kunst, Bonn 2017

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Andreas Mühe
Kohl am Tor
2014
© Andreas Mühe: VG Bild-Kunst, Bonn 2017

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Pressemitteilung

Die Fotografien von Andreas Mühe werden von Textauszügen des Romans „1913 − Der Sommer des Jahrhunderts“ von Florian Illies begleitet.

ART ENCOUNTERS 2017 – LIFE A USER’S MANUAL

Timișoara & Arad; 30. September - 5. November 2017

Art Encounters 2017, Life a User’s Manual
© Art Encounters Foundation and Synopsis Media

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Art Encounters 2017, Life a User’s Manual
© Art Encounters Foundation and Synopsis Media

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Anri Sala
1395 Days without Red, 2011
In collaboration with Liria Begeja. From a project by Šejla Kamerić and Anri Sala in collaboration with Ari Benjamin Meyers
HD video projection, colour, sound: discrete 5.1, on loop
Duration: 43 min 46 sec
Courtesy of the artist and Galerie Chantal Crousel, Marian Goodman and Hauser and Wirth.
Credits: Anri Sala / ADAGP, Paris 2017
© artist and photographer

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Anri Sala
Transfigured Moth, 2015
Altered snare drum, drumsticks, altered snare stand, loudspeaker
parts, and mono sound 7min
Edition of 1 + 1 AP
Courtesy of the artist and Galerie Chantal Crousel, Paris
Photo credits: Florian Kleinefenn
Credits: Anri Sala / ADAGP, Paris 2017
© artist and photographer

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Cornel Brudascu
Untitled, 2016
Oil on canvas
60 × 60 cm
Photo credits: YAP studio
© artist and photographer

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6.

Ioana Bătrânu
Melancholic Interior, 2012
Oil on canvas
120 × 200 cm
Photo credits: Bogdan Bordeianu
© artist and photographer

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Julien Prévieux
D’octobre à février [From October to February], 2010
wool sweaters, hangers and hooks
dimensions variable
Courtesy Jousse entreprise gallery
Photo credits: Laurent Lecat – galerie Edouard Manet
© artist and photographer

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Julien Prévieux
Le lotissement [Housing Estate], 2008
MDF, acrylic paint
approximately 250 × 200 ×150 cm each
Courtesy Jousse entreprise gallery
Photo credits: Laurent Lecat – galerie Edouard Manet
© artist and photographer

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Michel Blazy
Fontaine de mousse (installation view), 2007
Palais de Tokyo, Paris
Rubbish bins, foam-bath, compressor unit, plastic tubes
Dimensions variable
Courtesy the artist and Art : Concept, Paris
Photo credits: Marc Domage
© artist and photographer

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Alin Bozbiciu
Ritual, 2017
Oil on canvas
250 × 196 cm
Photo credits: YAP studio
Credits: Alin Bozbiciu
© artist and photographer

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Mircea Suciu
The Confessional (1), 2017
Work in progress
Oil, acrylic, monoprint
252 × 180 cm
Courtesy the artist and Zeno X Gallery, Antwerp, Belgium
© artist and photographer

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Olivia Mihălțianu
Smoking Room – Venice Biennale, 2013
Gold wallpaper, furniture, Golden Matches, monitor
Variable dimensions
Reflection Center for Suspended Histories. An Attempt, New Gallery, Romanian Institute of Culture and Humanistic Research, 55 Venice
Biennale, Italy [group exhibition]
Photo credits: Stefan Jammer
© artist and photographer

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Pusha Petrov
Hand Marsupium (red), 2010
Digital color print
48 × 72 cm
Series of 21 photographs
Credits: Pusha Petrov
© artist and photographer

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Pavel Brăila
New Year’s Dissections, 2017
Installation view
Courtesy of EASTWARDS PROSPECTUS
Photo credits: Miluță Flueraș
© artist and photographer

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
From left to right: Julien Prévieux, Anthologie des regards, 2015 (wood, screens and silk screen coat emulsion dimensions variable);
Zbigniew Libera, Lego. Concentration Camp, 1999 (inkjet print on paper)
Photo credits: Art Encounters
(photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
From left to right: Crisitna David, The Real Reason of the Migration of People in Europe to West, 2006 (video, mini DV, 1 min. 58 sec.);
Szilárd Miklós, Freelancers Space Station, 2017, objects (acetofan, adhesive, pigments), installation, paintings by Hans Mattis-Teutsch
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
Miklósi Dénes, Noi am văzut [We’ve seen], 2016 (inkjet double side print, 236 cm x 430 cm).
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
From left to right: Zbigniew Libera, Lego. Concentration Camp, 1999 (inkjet print on paper);Lea Rasovszky, SOFT WAR (Bubble Gun of Sweet Surrender), object/installation, inflatable structure (600 × 350 × 250 cm)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
Foreground: Sándor Bartha, March for a New Identity, 2017 (installation, different objects); Julien Prévieux, Le lotissement, 2008, MDF, acrylic paint approximately 250 × 200 × 150 cm each
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: The Tram Museum Timisoara)
Foreground: Mircea Suciu, Color Palette (2), 2017 (oil, acrylic, monoprint); Ioana Bătrânu, Melancholic Interior, 2012 (acrylic on canvas)
Background: Michel Blazy, Fontaine de mousse, 2007-2017
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House)
Smaranda Ursuleanu, Vulvatic Wallpaper, 2017 (body printing, acrylic on paper)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House)
From left to right: Pavel Brăila, Pickled Story, 2017, installation (shelf with homemade preserves, pickled vegetables, dimensions variable); Bartha Sándor, March for a New Identity, 2017 (installation); Olivia Mihălțianu, Trousse Beauté, 2009, light-boxes (cardboard, compact light tube, digital print); Mary Reid Kelley, Pasiphae’s Liquor Cabinet, 2014 (liquor and pill bottles, paint, sculpey compound, glass, wood
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House)
Olivia Mihălțianu, Trousse Beauté, 2009, light-boxes (cardboard, compact light tube, digital print)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House)
Cătălina Nistor, Supervised rooms, 2017, wall drawing
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House)
Pusha Petrov, Marsupium à main, 2010, series of photographs (digital print mounted on 3 mm aluminium dibond)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Isho House)
From left to right: Nona Inescu, A fuzzy feeling (room divider), 2016 (wooden frame, archival print on Hahnemuhle paper); Pusha Petrov, Marsupium à main, 2010, series of photographs (digital print mounted on 3 mm aluminium dibond)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Timco Hall)
Lena Henke, First Ladies, (Michelle Obama, Patrizia D’Addario, Carla Bruni, Metriban Aliyeva, Miyuki Hatoyama, Anne Mette Rasmussen, Sizakele Khumalo, Nompumelelo Ntuli, Tobeka Madiba), 2009 (wood, tables, mixed media)
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Life a User’s Manual (venue: Timco Hall)
Flaka Haliti, Thendive, Grace, Rishika, Lefa, Kaden, Victoria, Nadia, Leo, Cyril, Mrs. Faye, Malrar, Josias, Ojas, Philip, Ernest, Ziyanda, Ledri, Amadou, Bayanda, Julien Sochima, Edgar, Daniel, Tshego, Nihal, Oyane, Ms. Dagrou, Anna, Abigail, Quentin, 2015-2016, installation (metal, sand, plastic, dimensions variable
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Beyond the Concept Frontier
Artists: Horia Bernea, Roman Cotoșman, Ion Grigorescu, Pavel Ilie, Julian Mereuță, Paul Neagu, Eugenia Pop, Decebal Scriba
Curator: Magda Radu
Exhibition design: skaarchitects
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Beyond the Concept Frontier
Artists: Horia Bernea, Roman Cotoșman, Ion Grigorescu, Pavel Ilie, Julian Mereuță, Paul Neagu, Eugenia Pop, Decebal Scriba
Curator: Magda Radu
Exhibition design: skaarchitects
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Exhibition view Beyond the Concept Frontier
Artists: Horia Bernea, Roman Cotoșman, Ion Grigorescu, Pavel Ilie, Julian Mereuță, Paul Neagu, Eugenia Pop, Decebal Scriba
Curator: Magda Radu
Exhibition design: skaarchitects
Photo credits: Art Encounters (photo by Ovidiu Micşa)

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Pressemitteilung

Die zweite Edition von ART ENCOUNTERS wird zu einem regelmäßigen Treffpunkt rumänischer Kunst im internationalen kuratorischen Dialog

Arbeiten in Geschichte. Zeitgenössische chinesische Fotografie und die Kulturrevolution

Museum für Fotografie, Jebensstraße 2, 10623 Berlin; 18.08.2017 — 07.01.2018

Zhang Kechun, Menschen queren den Gelben Fluss mit einem Foto von Mao Zedong, Henan, 2012, Tintenstrahldruck, 120 × 147 cm

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Mo Yi Rot, 1985, Farbabzug (2017), 60 × 87 cm © Mo Yi

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Cao Kai Sommer 1969, 2001-2002, HD Edition 2010, DVD (Videostill) © Cao Kai

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Feng Mengbo, Mein privates Album, 1996 Interaktive Installation (Screenshot) © Feng Mengbo

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Hai Bo Sie Nr. 5, 2000, Digitaler Farbabzug, 50 × 130 cm © Hai Bo

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He Chongyue, Das Ende 01 – Eine alternde Bevölke- rung: Die Familienplanungs-Serie, 2010 Tintenstrahldruck, 90 × 225 cm © He Chongyue

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Maleonn, Weiß auf Weiß #2, 2010 Farbabzug, 60 × 90 cm © Maleonn

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Cai Dongdong, Schießübung, 2016 Silbergelatineabzug, Spiegel, 100 × 100 × 100 cm
© Cai Dongdong

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Qu Yan, Hauptquartier im Dorf Wuzhuang, Stadt Tushan, Kreis Pizhou, Provinz Jiangshu, 2005, Farbabzug (2017), 120 × 160 cm © Qu Yan

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Shao Yinong & Mu Chen, Die Versammlungshallen-Serie – Yangzheng, 2003
Farbabzug, 120 × 168 cm © Shao Yinong & Mu Chen

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Song Yong Ping, Neues Leben, 1999 Silbergelatineabzug, 86 × 46 cm © Song Yong Ping

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Song Yong Ping, Neues Leben, 1999 Silbergelatineabzug, 86 × 46 cm © Song Yong Ping

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Song Yong Ping, Neues Leben, 1999 Silbergelatineabzug, 86 × 46 cm © Song Yong Ping

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Wang Ningde, Einige Tage, Nr. 30, 2005 Silvergelatineabzug, 50 × 60 cm © Wang Ningde

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Wang Qingsong, Wettbewerb, 2004, Farbabzug (2017), 300 × 170 cm © Wang Qingsong

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Wang Youshen, Waschen, 2017, Pressefotos, Entwicklerschalen, Wasser, Klammern, Faden, Maße variabel © Wang Youshen

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Zhang Dali, Eine zweite Geschichte 9: 1952 Das erste Sportfest der Nationalarmee, 2005 Farbabzug (2017), 112 × 60 cm © Zhang Dali

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Weng Naiqiang, Der Vorsitzende Mao auf dem Tian’anmen-Platz, 1966 Farbabzug (2017), 100 × 100 cm © Weng Naiqiang

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Fotograf unbekannt, Peking, Tien’anmen-Platz, 1966 Silbergelatineabzug, 5,4 × 4,6 cm © Archiv Günter Karl Bose

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Gestalter unbekannt, Mao Zedong nach
 dem Durchqueren des Yangtze, 1966 Poster, 73,2 × 52,0 cm © Privatsammlung

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Pressemitteilung

Die Sonderausstellung öffnet mit historischen Arbeiten und zeitgenössischen Positionen den Blick auf die Folgen der Kulturrevolution für die aktuelle Kunst- und Fotografie-Szene Chinas.

Winsor & Newton - Residenzstipendium am Künstlerhaus Bethanien in Berlin

Künstlerhaus Bethanien I Kottbusser Straße 10 10999 Berlin; 15. Mai und 15. November 2017

Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
at her studio at Künstlerhaus Bethanien, Berlin, 2017
© Jonas Brander

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Aneta Kajzer
Bist du noch da, 2017, Öl und Acryl auf Leinwand, 68 × 45 cm
© Aneta Kajzer

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Aneta Kajzer
Cyborglady, 2017, Öl und Acryl auf Leinwand, 100 × 70 cm
© Aneta Kajzer

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Aneta Kajzer
Prima Ballerina, 2017, Öl und Acryl auf Leinwand, 300 × 200 cm
© Aneta Kajzer

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Aneta Kajzer
Babyface,
2017, Öl und Acryl auf Leinwand,
68 × 48 cm
© Aneta Kajzer

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Aneta Kajzer
„Gorilla“: I’ve got not brain baby,
2017, Öl und Acryl auf Leinwand,
160 × 145 cm
© Aneta Kajzer

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Aneta Kajzer
Trunkenbold, 2017, Öl und Acryl auf Leinwand,
60 × 45 cm
© Aneta Kajzer

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Aneta Kajzer
„Wurm“: Ohne Titel (Twist),
2017, Öl und Acryl auf Leinwand,
300 × 200 cm
© Aneta Kajzer

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Manuel Stehli
ohne Titel
2015, Öl auf Leinwand,
170×220cm
© Manuel Stehli

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Manuel Stehli
ohne Titel, (Tektonik)
2015, Öl auf Leinwand,
125×170cm
© Manuel Stehli

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Manuel Stehli
Mojave, Öl auf Leinwand
2016, Öl auf Leinwand
40×50cm
© Manuel Stehli

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Manuel Stehli
Wall
2016, Öl auf Leinwand
120×160cm
© Manuel Stehli

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Pressemitteilung

Erstmals schreibt die Künstlermarke Winsor & Newton zwei Residenzstipendien im Künstlerhaus Bethanien in Berlin aus. Die diesjährigen Stipendiaten sind Aneta Kajzer und Manuel Stehli.

Perspektive 2018

Deutschland / Frankreich; Vom 01. Oktober bis zum 01. Dezember 2017 können Projekte eingereicht werden

Porcelain Filter
(Project Foreign Objects)

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Ingo Duennebier
(Project: Form Follows Aktion)

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La Galerie, Noisy-le-Sec, vue aérienne (Projekt : La Presse)

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Niche : L’Espace Feminin, Dinner-Talks (Projekt : Making Spaces)

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Moritz Simon Geist : Sonic Robots
(Project: Remembering the Future)

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Visual Perspektive French
Copyright: Perspektive, Bureau des arts plastiques

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Visual Perspektive German
Copyright: Perspektive, Bureau des arts plastiques

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Candice Lin, System for a
Stain, 2016, mixed
media. Commissioned by
Gasworks. Courtesy of
the artist

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Parasite space
Copyright: Brad Downey
& Diego Sologur

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District Kunst und
Kulturförderung
Copyright: District Kunstund Kulturförderung
GmbH

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Niche dîner discussio“ Copyright: Niche Berlin

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Bellastock
Copyright: Association Bellastock

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Pressemitteilung

Perspektive richtet sich an öffentliche und private Einrichtungen im Bereich der zeitgenössischen Kunst und Architektur in Deutschland und Frankreich.

MOMENTUM 9: ALIENATION THE 9TH NORDIC BIENNIAL OF CONTEMPORARY ART

Gallery F 15 and MOMENTUM Kunsthall | Moss, Norway; 17.06.2017 - 11.10.2017

Abigail DeVille
Invisibility Blues

Installation, 2016

Photo by Ginevra Shay
Courtesy the artist

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Atelier Cyberspace
Untitled

Collage, 1968-1970

Courtesy Carsten Hoff

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Búi A ðalsteinsson
Fly Factory

Stainless-steel, fibre glass, electric light,
soil, plants, black soldier flies, larvae and
larvae paté, 170×150× 80cm, 2014

Courtesy the artist

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H.R. GIGER,
Harkonnen-Capo chair, 1983.

Courtesy H.R. Giger Estate.

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Jenna Sutela
Gut-Machine Poetry, 2017

Photo by Mikko Gaestel
Courtesy the artist

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Johannes Heldén
Encyclopedia

Writing, 2015-2016

Courtesy the artist

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John Duncan
Scare, 1976

Photograph

Courtesy the artist

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Jone Kvie
Untitled (Carrier), 2006

Car paint on bronze

Photo by Anders Sune Berg
Courtesy the artist

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Jussi Kivi
Moonwoods, 2017

Detail of an installation

Courtesy the artist

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KAPWANI KIWANGA,
AFROGALACTICA:
A BRIEF HISTORY OF THE FUTURE.

Performance: live reading with
video projection, 2012 – ongoing.

Courtesy the artist and
Galerie Tanja Wagner, Berlin.

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KJERSTI VETTERSTAD

No Maps for These Territories, 2012
Video, 07”47 min

Courtesy the artist

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Levi van Veluw
Workspace II, 2016

Walnut wood, black ink, coal,
103 ×140 ×65cm

Courtesy the artist

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Linda Persson
Opalstone, 2017

Still from a video

Courtesy the artist

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Mediated Matter
Synthetic Apiary

Honeybee hive installation in the Synthetic
Apiary environment, 2016

Photo by The Mediated Matter Group
Courtesy The Mediated Matter Group

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Museum of Nonhumanity

Installation view at Suvilahti, Helsinki,
2016

Photo by Terike Haapoja
Courtesy Museum of Nonhumanity

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Olga Bergmann and Anna Hallin
The Pink Era

Site-specific installation in the coastal town
of Gar ður, Iceland, concrete, wood, string,
dirt, 2012

Courtesy the artists

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Patricia Piccinini
Atlas

Silicone, fiberglass, human hair and car
paint, 84×54×50cm, 2012

Courtesy the artist

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Patrick Jackson
House of Double

Detail of site-specific installation, 2011

Courtesy the artist

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Pinar Yoldas
Ecosystem of Excess

Detail of an installation, 2014

Courtesy the artist

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Public Dreaming

Sleep Structure, 2016

Courtesy Public Dreaming

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Ragnar Þórisson
Untitled

Oil on canvas, 200×170cm, 2012

Courtesy the artist

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Rolf Nowotny
CONKCLOACA

Installation, 2016

Courtesy the artist

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Serina Erfjord
Among Stars

Installation, 2014

Courtesy the artist

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Sonja Bäumel
Fifty Percent Human

Detail of an installation, 2016

Courtesy the artist

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Stathis Tsemberlidis
Transmutations of Human Bodies

Drawing, 2015

Courtesy the artist

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Third Ear Podcast
Logo
Courtesy Third Ear

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Trollkrem

Performance documentation by
Istavan Virag, 2016

Courtesy Trollkrem

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Wael Shawky

Cabaret Crusades: The Path to Cairo

HD video, color, sound, 58min, 2012

Courtesy the artist and Sfeir-Semler
Gallery Berlin/Hamburg

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Ylva Westerlund
The new hird, 2017
Sulfate 3000, 2016
Courtesy the artist

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MOMENTUM 9: ALIENATION

Visual identity designed by
Tuomas Kortteinen and Heikki Lotvonen

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Pressemitteilung

Since its inception in 1998, MOMENTUM has strived to present compelling works of art and outstanding artistic ventures in Norway and the Nordic context.

Luther und die Avantgarde

ZUSÄTZLICHES BILDMATERIAL UNTER: http://gallery.artpress-uteweingarten.de/ || TRAILER: http://bit.ly/2rwhmcM || Altes Gefängnis, Berliner Straße, 06886 Lutherstadt Wittenberg | St. Matthäus-Kirche, Matthäikirchplatz, 10785 Berlin | Karlskirche, Karlsplatz, 34117 Kassel; 18.05.2017 - 01.11.2017

Keyvisual
Luther und die Avantgarde
Art-Design: von Mannstein nach einer Kunstaktion von Bazon Brock

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Außenansicht / Exterior view
Das alte Gefängnis in
Lutherstadt Wittenberg / The Old
Prison in Luther City Wittenberg
Werk / work by Manuel Graf
2017
Photo Daniel Biskup

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Außenansicht I Exterior view
Das alte Gefängnis in
Lutherstadt Wittenberg I The Old
Prison in Luther City Wittenberg
Werk I work by Achim Mohné
2017
Photo Daniel Biskup

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Zelle
Altes Gefängnis Wittenberg
Foto: Daniel Biskup

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St. Matthäus-Kirche
Foto: Jens Bösenberg
2015

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Karlskirche Kassel
Foto: medio.tv/Schauderna

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robotlab
bios [bible], 2007
Roboterinstallation | robot
installation,
6 × 3 × 1,5 m;
Courtesy of the artist
Photo Daniel Biskop

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Miao Xiaochun
Zero Degree Doubt
2013
Acryl auf Leinen, 150 × 150 cm.
© Miao Xiaochun

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Assaf Gruber
Die Berufung (The Calling), 2016/17
Video / DCP, Farbe, 17 min | video / DCP, colour, 17 min; 14:59 min.
Still image
Courtesy of the artist

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Jia
The Chinese Version, 2016
Klebefolie auf Wand, Maße variabel | adhesive film on wall, dimensions variable;
Courtesy of the artist
Photo Daniel Biskup

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Ulrike Kuschel
M.L. #1, 2017
© Ulrike Kuschel, Berlin / VG Bild-Kunst, Bonn 2017

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Johanna Reich
Resistance (Clara mit Simone de
Beauvoir), 2016/17
10 Plakatmotive auf Litfaßsäule |
10 poster motifs on advertising
column
© VG Bild-Kunst, Bonn 2017

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Jonathan Meese
inmitten seiner Arbeit | midst his work
ERZTARZAN’S ZELLE, DIE 95 KUNSTTHESEN DESTEUFELS ALASKA KIDADDY MACHT DAS RENNEN „K.U.N.S.T.“ (M.E.E.S.E. IST JOHNNY SINCLAIR), 2017
Mischtechnik, Maße variabel | mixed media, dimensions variable
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Julian Rosefeldt
Asylum, 2001/2002
Video
© Julian Rosefeldt und VG Bild-Kunst, Bonn

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Luise Schröder,
Gedenktafel „Im Gedenken an den Generalstreik der Frauen Wittenbergs am 4. Mai 1987”
2017
Photo Daniel Biskup

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Marzia Migliora
Schuld, 2017
Schließfächer, Messingleiter, Spiegel, Barrisol | deposit boxes, brass ladder, mirror, Barrisol, ortsspezifische
Installation | site-specific installation;
Courtesy of Lia Rumma Gallery Milan | Naples Photo Daniel Biskup

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Olya Kroytor
Performance auf Holzstamm | performance on wooden trunk;
Courtesy of the artist
Photo Daniel Biskup

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Elger Esser
Combray (Ambierle), 2012
Heliogravur auf Büttenpapier |
photogravure on
handmade paper, je | each 117 × 133 × 6
cm (gerahmt | framed);
© Elger Esser / VG Bild-Kunst, Bonn
2017
Courtesy Galerie Kewenig, Galerie
Thaddaeus Ropac

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Sebastian Riemer
DSSQ, 2011
C-Print_Ed5 2AP
84×84cm
© Sebastian Riemer

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Shilpa Gupta
I keep falling at you, 2010/2017
Klangskulptur, Mikrofone, Lautsprecher, Mehrkanalton
Installation
ca. 380×130×200 cm
© Shilpa Gupta

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Sun Xun
Bei der Arbeit an | working on
Protestant, 2017
Wandmalerei, Objekte | wall
painting, objects, ortsspezifische
Installation | site-specific
installation;
© artist / courtesy of ShanghArt Gallery
Photo Daniel Biskup

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Stephan Balkenhol
Nackter Mann, 2017
Zedernholz, farbig gefasst | cedar
wood, painted, 179 × 87 × 45 cm
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Yury Kharchenko
Haus 1, 2016
Öl auf Leinwand | oil on canvas,
100 × 80 cm; Courtesy of the artist Photo Daniel Biskup

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Monica Bonvicini
Bent in Shape (Detail), 2017
Teil der Gesamtinstallation | part
of the larger installation Erhellung,
2017 Neonröhren, Seil, Kabel, Stahlgestell | fluorescent tubes, rope, cable,
steel frame, ca. 100 × 180 × 40 cm;
Courtesy of the artist and König
Galerie, Berlin and Galerie Peter
Kilchmann, Zurich
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Adrian Ghenie
o.T., Detail, 2017
Collage auf Papier | collage on paper,
33,5 × 29,2 cm;
Courtesy of the artist and Galerie
Thaddaeus Ropac,
Salzburg – Paris
Photo Daniel Biskup

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Gilbert & George vor der St. Matthäus-Kirche Berlin. Foto: Daniel Biskup.

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Gilbert & George: ASTRO STAR 2013, aus der Serie „SCAPEGOATING PICTURES
© Gilbert & George

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Erwin Wurm
Boxhandschuh, 2016
Bronzeguss, patiniert | bronze
cast, patinized, 146 × 130 × 125 cm
© VG Bild-Kunst, Bonn 2017 / courtesy of Studio Erwin Wurm
Photo Daniel Biskup

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Christian Jankowski
Casting Jesus, 2011
Two-channel video
Courtesy the artist and Lisson Gallery, London

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Logo
Luther und die Avantgarde
Art-Design: von Mannstein nach einer Kunstaktion von Bazon Brock

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Olaf Metzel
Luther rauf und runter, 2017
Aluminium, Edelstahl, Digitaldruck |
aluminium,
stainless steel, digital print, 670 × 130 x
140 cm;
Courtesy of the artist
Photo Daniel Biskup

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Christian Boltanski
Coeur, 2005
Schwarz bemaltes Glas, schwarzer
Karton, schwarzes Klebeband,
Glühbirne und Elektrokabel;
technische Anlage mit Herzklopfgeräuschen;
60 Spiegel unterschiedlicher
Größe, Installation, Maße
variabel | black-painted glass, black
paperboard, black tape, lamp,
electrical cable; technical equipment
with the sound of heartbeats; 60
mirrors of various sizes; installation,
dimensions variable;
Courtesy Christian Boltanski and
Kewenig Berlin | Palma
Photo Daniel Biskup

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Markus Lüpertz
Eiferer, 2017
Bemalter Gips | plaster, painted,
170 × 60 × 66 cm;
Courtesy of the artist
© VG Bild-Kunst, Bonn 2017
Photo Daniel Biskup

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Michael Sailstorfer
Mückenhaus, 2012
Straßenlampe, Aluminium, Moskitonetz, Farbe, Elektrizität | street lamp, aluminium, mosquito net, paint, electricity, 200 × 120 × 145 cm (Haus | house);
Courtesy: Michael Sailstorfer + König Galerie
Photo Daniel Biskup

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Xu Bing
Book from the Ground, seit | since
2003
(fortlaufend | ongoing) Mischtechnik |
mixed media, 142,2 × 119,4 × 104,1 cm;
Courtesy of the artist
Photo Daniel Faró

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Achim Mohné
0,000672 Megapixel – Citizen To be SeenFrom Mars, 2017
Bodenarbeit, 12 × 14 m, 672 Betonplatten, 11 Grautöne | floor piece, 12 × 14 m, 672 concrete slabs, 11 tones of grey;
Courtesy of the artist and VG Bildkunst, Bonn
Photo DroneBrothers, Berlin

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Thomas Huber
o.T., 2017
Öl auf Leinwand | oil on canvas,
80 × 60 cm;
Besitz des Künstlers | Property of the
artist
Photo Daniel Biskup

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Ai Weiwei
man in a cube, 2017
Beton, 2-teilig | concrete block in
two parts, je | each
150 × 105 × 52,1 cm;
© artist
Photo Daniel Biskup

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Eintreffen des Diplomatischen Corps bei Luther und die Avantgarde in Wittenberg, Foto: Daniel Biskup.

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v.l.n.r. Walter Smerling, Frank-Walter Steinmeier, Peter Weibel, Foto: Daniel Biskup.

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Pressemitteilung

In der Ausstellung begegnen sich der Reformator als Vordenker und Avantgardist seiner Zeit und aktuelle Kunst…

Mike Bourscheid – Thank you so much for the flowers

Venedig Biennale I Pavillon von Luxemburg I 57. Internationale Kunstausstellung; 13.05 - 26.11. 2017

Mike Bourscheid, Thank you so much for the flowers, 2017.
Copyright Mike Bourscheid.
Production photo 2017

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Mike Bourscheid, The Goldbird Variations, Sculpture, performance, audio, 2016. Realised with the support of L’Œil de Poisson, Québec.
Courtesy the artist

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Mike Bourscheid, The Goldbird Variations, Sculpture, performance, audio, 2016. Realised with the support of L’Œil de Poisson, Québec.
Courtesy the artist

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Mike Bourscheid, So stell ich mir die Liebe vor, Sculpture, performance, vinyl album, 2015.
Courtesy the artist

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Mike Bourscheid, The wellbeing of things: a 5 km race, video still, 2017. Courtesy the artist.

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Mike Bourscheid, The Oracle (working title), 2017.
Copyright Mike Bourscheid.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia. Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view
Mike Bourscheid – Thank You so much for the flowers 2017. 57th International Art Exhibition – La Biennale
Di Venezia.
Copyright Mike Bourscheid.
Photo: Mike Bourscheid.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Exhibition view “Mike Bourscheid – Thank you so much for the flowers”, 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Luke Andrew Walker.

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Mike Bourscheid – Thank you so Much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Casino Luxembourg.

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Mike Bourscheid – Thank you so Much for the flowers, 2017. Performance enacted by the artist during the official opening of the exhibition on May, 11th 2017. 57th International Art Exhibition – La Biennale di Venezia.
Copyright Mike Bourscheid.
Photo: Casino Luxembourg.

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Pressemitteilung

Mike Bourscheid wird das Großherzogtum Luxemburg auf der
57. Kunstbiennale in Venedig, der Biennale di Venezia, mit der
Ausstellung Thank you so much for the flowers vertreten.

SLATER B. BRADLEY: SUNDOOR AT WORLD’S END

La Maddalena (Kirche der Maria Magdalena) | Campiello Maddalena, 30121 Venice; 11. Mai - 26. Nov

Slater Bradley
In5Dcubation Lightbody Shield, 2015
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Private Collection Berlin, Courtesy of Slater Bradley Studio, Berlin
and Sprüth Magers
© Slater B. Bradley

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Slater Bradley
4DCC Manik Wave Shield, 2015
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Collection of Nico
Wollenberg, Courtesy of Slater Bradley Studio, Berlin
© Slater B. Bradley

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Slater Bradley
Solar6 Gate Wave Shield, 2015
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Collection of Tilman
Kriesel, Courtesy of
Slater Bradley Studio, Berlin
© Slater B. Bradley

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Slater Bradley
Ninth Wave Solar Shield, 2016
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Glass
UV 92, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Courtesy of Slater Bradley Studio, Berlin and Galeria Filomena Soares, Lisbon
© Slater B. Bradley

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Slater Bradley
Galactic Octave Wave Shield, 2016
e750 paint marker on digital C-print mounted to 4mm Alu-Dibond Artglass UV 90, Oak, Unique
Panel: 179,6 × 111 cm
Frame: 215,2 × 133 cm
Private Collection Berlin, Courtesy of Slater Bradley Studio, Berlin
and Sprüth Magers
© Slater B. Bradley

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Pressemitteilung

Anlässlich der 57. Internationalen Kunstausstellung, la Biennale di Venezia, freut sich Zuecca Projects “Sundoor at World’s End”, eine Ausstellung des amerikanischen Künstlers Slater B. Bradley zu präsentieren.

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